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Index
Cover
Half-Title Page
Series Page
Title Page
Dedication
Contents
Acknowledgments
List of Illustrations
List of Contributors
Introduction
1 Classical Pieces: Fragmenting Genres in Medieval England
2 ‘Poetry is a Speaking Picture’: Framing a Poetics of Virtue in Late Elizabethan England
3 A Revolutionary Vergil: James Harrington, Poetry, and Political Performance
4 The Devouring Maw: Complexities of Classical Genre in Milton’s Paradise Lost
5 Georgic as Genre: The Scholarly Reception of Vergil in Mid-Eighteenth-Century Britain
6 Rhyme and Reason: The Homeric Translations of Dryden, Pope, and Morris
7 From Epic to Monologue: Tennyson and Homer
8 The Elizabethan Epyllion: From Constructed Classical Genre to Twentieth-Century Genre Propre
9 ‘Homer Undone’: Homeric Scholarship and the Invention of Female Epic
10 Generic ‘Transgressions’ and the Personal Voice
Notes
References
General index
Index of Passages Cited
Copyright
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