Collected Works of Romain Rolland by Romain Rolland -- Read -- Imperial Library of Trantor

Index

Title page COPYRIGHT Jean-Christophe Dawn (1904)

CONTENTS PREFACE THE DAWN I II III

Morning (1904)

CONTENTS I. THE DEATH OF JEAN MICHEL II. OTTO III. MINNA

Youth (1904)

CONTENTS I. THE HOUSE OF EULER II. SABINE III. ADA

Revolt (1905)

CONTENTS I. SHIFTING SANDS II. ENGULFED III. DELIVERANCE

The Marketplace (1908)

CONTENTS I II III

Antoinette (1908) The House (1908)

CONTENTS I II III

Love and Friendship (1910)

LOVE AND FRIENDSHIP

The Burning Bush (1911)

CONTENTS I II

The New Dawn (1912)

CONTENTS PREFACE TO THE LAST VOLUME OF JEAN-CHRISTOPHE THE BURNING BUSH I II III IV

The Soul Enchanted Annette and Sylvie (1922)

CONTENTS FOREWORD PART ONE I II III IV V VI VII VIII IX X XI PART TWO I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII

Summer (1924)

CONTENTS PART ONE I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII PART TWO XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV PART THREE XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI

Other Fiction Colas Breugnon (1919)

CONTENTS TO THE READER I. THE LARK OF CANDLEMAS-DAY II. THE SIEGE III. THE VICAR OF BRÈVES IV. THE IDLER V. BELETTE VI. BIRDS OF PASSAGE VII. THE PLAGUE VIII. MY OLD WOMAN’S DEATH IX. THE FIRE X. THE RIOT XI. A PRACTICAL JOKE XII. OTHER PEOPLE’S HOUSES XIII. PLUTARCH’S LIVES XIV. HEALTH TO THE KING!

Clérambault (1920)

CONTENTS TO THE READER INTRODUCTION PART ONE PART TWO PART THREE PART FOUR PART FIVE

Pierre and Luce (1920)

PIERRE AND LUCE

The Plays Georges Danton (1899)

CONTENTS DANTON CAST OF CHARACTERS: ACT I ACT II ACT III

The Fourteenth of July (1902)

CONTENTS ROMAIN ROLLAND AND THE PEOPLE’S THEATER THE FOURTEENTH OF JULY AUTHOR’S NOTE CAST OF CHARACTERS ACT I ACT II ACT III

The Non-Fiction François-Millet (1902)

CONTENTS I. Moral Character of Millet and of his Work - His Place in French Art II. Millet’s Life up to the Time of his Settling at Barbizon III. Millet at Barbizon IV. The Work and the Artistic Theory of Millet BIBLIOGRAPHY

Beethoven (1903)

CONTENTS PREFACE INTRODUCTION by Edward Carpenter BEETHOVEN HIS LIFE HIS WILL THE HEILIGENSTADT WILL. LETTERS BEETHOVEN’S LETTERS. THOUGHTS On Music. On Criticism. THE NINE SYMPHONIES Symphony No. 1 in C major, Opus 21. 2nd Symphony in D, Opus 36. 3rd Symphony, Opus 35, “Eroica” in E flat. 4th Symphony in B flat, Opus 60. 5th Symphony in C minor, Opus 67. 6th Symphony (Pastoral) in F, Opus 68. 7th Symphony in A major, Opus 92. 8th Symphony, in F major, Opus 93. 9th Symphony, in D minor, With Final Chorus on Schiller’s “Ode to Joy.”(O). THE PIANOFORTE SONATAS 1st Sonata, O, No. 1, in F minor. 2nd Sonata, O, No. 2, in A. 3rd Sonata, Opus 2, No. 3, in C major. 4th Sonata, Opus 7, in E flat. 5th Sonata, Opus 10, No. 1, in C minor. 6th Sonata, Opus 10, No. 2, in F major. 7th Sonata, Opus 10, No. 3, in D major. 8th Sonata, (Pathétique), Opus 13, in C minor. 9th Sonata, Opus 14, No. 1, in E major. 10th Sonata, Opus 14, No. 2, in G major. 11th Sonata, Opus 22, in B flat. 12th Sonata, O, in A flat. 13th Sonata, Opus 27, No. 1, in E flat. 14th Sonata, Opus 27, No. 2, in C sharp minor. 15th Sonata, Opus 28, in D major. 16th Sonata, Opus 31, No. 1, in G major. 17th Sonata, Opus 31, No. 2, in D minor. 18th Sonata, Opus 31, No. 3, in E flat. 19th Sonata, Opus 49, No. 1, in G minor and major. 20th Sonata, Opus 49. No. 2, in G major. 21st Sonata, Opus 53, in C major. 22nd Sonata, Opus 54, in F major. 23rd Sonata, Opus 57, in F minor. 24th Sonata, Opus 78, in F sharp major. 25th Sonata, Opus 79, in G. 26th Sonata, Opus 81a, in E flat. 27th Sonata, Opus 90, in E. 28th Sonata, Opus 101, in A major. 29th Sonata, Opus 106. 30th Sonata, Opus 109, in E major. 31st Sonata, Opus 110, in A flat. 32nd Sonata, Opus 111, in C minor. THE SONATAS FOR VIOLIN AND PIANOFORTE 1st Sonata, Opus 12, No. 1, in D. 2nd Sonata, Opus 12, No. 2, in A. 3rd Sonata, Opus 12, No. 3, in E flat. 4th Sonata, Opus 23, in A minor and major. 5th Sonata, Opus 24, in F. 6th Sonata, Opus 30, No. 1, in A. 7th Sonata, Opus 30, No. 2, in C minor. 8th Sonata, Opus 30, No. 3, in G. 9th Sonata, Opus 47, in A. 10th Sonata, Opus 96, in G. THE STRING QUARTETS 1st Quartet, Opus 18, No. 1, in F. 2nd Quartet, Opus 18, No. 2, in G. major. 3rd Quartet, Opus 18, No. 3, in D. 4th Quartet, Opus 18, No. 4, in C minor. 5th Quartet, Opus 18, No. 5, in A. 6th Quartet, Opus 18, No. 6, in B flat. 7th Quartet, Opus 59, No. 1, in F. 8th Quartet, Opus 59, No. 2, in E minor. 9th Quartet, Opus 59, No. 3, in C major. 10th Quartet, Opus 74, in E flat. 11th Quartet, Opus 95, in F minor. 12th Quartet, Opus 127, in E flat. 13th Quartet, Opus 130, in B flat. 14th Quartet, Opus 131, in C sharp minor. 15th Quartet, Opus 132, in A minor. 16th Quartet, Opus 135, in F major. APPENDICES BIBLIOGRAPHY BEETHOVEN’S PORTRAITS. CLASSIFICATION OF BEETHOVEN’S PIANOFORTE SONATAS. IN ORDER OF STUDY LIST OF BEETHOVEN’S WORKS.

Life of Michelangelo (1907)

CONTENTS MICHELANGELO INTRODUCTION CHAPTER I. Childhood and Youth (1475-1505) CHAPTER II. MICHELANGELO AND JULIUS II (1505-1513) CHAPTER III. THE FAILURE OF THE GREAT PLANS (1513-1534) CHAPTER IV. VITTORIA COLONNA (1535-1547) CHAPTER V. OLD AGE AND DEATH (1547-1564) CHAPTER VI. THE GENIUS OF MICHELANGELO AND HIS INFLUENCE ON ITALIAN ART CHRONOLOGICAL TABLE CATALOGUE OF THE PRINCIPAL WORKS OF MICHELANGELO IN PUBLIC COLLECTIONS NOTE ON THE DRAWINGS BIBLIOGRAPHY ENDNOTES.

Musicians of To-Day (1908)

CONTENTS INTRODUCTION BERLIOZ WAGNER “SIEGFRIED” “TRISTAN” CAMILLE SAINT-SAËNS VINCENT D’INDY RICHARD STRAUSS HUGO WOLF DON LORENZO PEROSI FRENCH AND GERMAN MUSIC CLAUDE DEBUSSY PELLÉAS ET MÉLISANDE THE AWAKENING: A SKETCH OF THE MUSICAL MOVEMENT IN PARIS SINCE 1870 PARIS AND MUSIC MUSICAL INSTITUTIONS BEFORE 1870 NEW MUSICAL INSTITUTIONS 1. The Société Nationale 2. The Grand Symphony Concerts 3. The Schola Cantorum 4. The Chamber-Music Societies 5. Musical Learning and the University 6. Music and the People THE PRESENT CONDITION OF FRENCH MUSIC ENDNOTES.

Musicians of Former Days (1908)

CONTENTS INTRODUCTION OF THE PLACE OF MUSIC IN GENERAL HISTORY THE BEGINNINGS OF OPERA I. THE “SACRE RAPPRESENTAZIONI” IN FLORENCE AND THE “MAGGI” OF TUSCANY II. LATIN COMEDIES AND PRODUCTIONS IN THE CLASSIC STYLE III. PASTORALS IN MUSIC AND TORQUATO TASSO THE FIRST OPERA PLAYED IN PARIS: LUIGI ROSSI’S ‘ORFEO’ I. MAZARIN AND MUSIC II. THE BARBERINI IN FRANCE III. LUIGI ROSSI BEFORE HIS ARRIVAL IN FRANCE IV. THE PRODUCTION OF “ ORFEO” IN PARIS AND THE RELIGIOUS AND POLITICAL OPPOSITION TO OPERA V. “ORFEO” VI. LUIGI ROSSI AFTER “ORFEO” NOTES ON LULLY I. THE MAN II. THE MUSICIAN III. LULLY’S RECITATIVE AND RACINE’S DECLAMATION IV.HETEROGENEOUS ELEMENTS IN LULLY’S OPERAS V. LULLY’S SYMPHONIES VI. THE GRANDEUR AND POPULARITY OF LULLY’S ART GLUCK SOME REMARKS ON “ALCESTE” GRÉTRY MOZART ACCORDING TO HIS LETTERS MUSICAL SUPPLEMENT: THE DESPAIR OF ORPHEUS (From Luigi Rossi’s “Orfeo” Act III, scene 10.)

Handel (1910)

CONTENTS PREFACE INTRODUCTION BY THE EDITOR GEORGE FREDERICK HANDEL HIS LIFE HIS TECHNIQUE AND WORKS LIST OF HANDEL’S WORKS ENDNOTES.

Tolstoy (1911)

CONTENTS PREFACE CHAPTER I. CHILDHOOD CHAPTER II. BOYHOOD AND YOUTH CHAPTER III. YOUTH: THE ARMY CHAPTER IV. EARLY WORK: TALES OF THE CAUCASUS CHAPTER V. SEBASTOPOL: WAR AND RELIGION CHAPTER VI. ST. PETERSBURG CHAPTER VII. “FAMILY HAPPINESS” CHAPTER VIII. MARRIAGE CHAPTER IX. “ANNA KARENIN” CHAPTER X. THE CRISIS CHAPTER XI. REALITY CHAPTER XII. ART AND CONSCIENCE CHAPTER XIII. SCIENCE AND ART CHAPTER XIV. THEORIES OF ART: MUSIC CHAPTER XV. “RESURRECTION” CHAPTER XVI. RELIGION AND POLITICS CHAPTER XVII. OLD AGE CHAPTER XVIII. CONCLUSION

The Forerunners (1919)

CONTENTS INTRODUCTION I. ARA PACIS II. UPWARDS, ALONG A WINDING ROAD III. TO THE MURDERED PEOPLES IV. TO THE UNDYING ANTIGONE V. A WOMAN’S VOICE FROM OUT THE TUMULT13 VI. FREEDOM VII. FREE RUSSIA, THE LIBERATOR! VIII. TOLSTOY: THE FREE SPIRIT IX. TO MAXIM GORKI X. TWO LETTERS FROM MAXIM GORKI XI. TO THE WRITERS OF AMERICA XII. FREE VOICES FROM AMERICA XIII. ON BEHALF OF E. D. MOREL XIV. YOUNG SWITZERLAND XV. UNDER FIRE XVI. AVE, CÆSAR, MORITURI TE SALUTANT XVII. AVE, CÆSAR .. XVIII. MEN IN BATTLE41 XIX. VOX CLAMANTIS..43 XX. A GREAT EUROPEAN: G. F. NICOLAI48 XXI. REFLECTIONS ON READING AUGUSTE FOREL XXII. ON BEHALF OF THE INTERNATIONAL OF THE MIND XXIII. A CALL TO EUROPEANS XXIV. OPEN LETTER TO PRESIDENT WILSON XXV. AGAINST VICTORIOUS BISMARCKISM XXVI. DECLARATION OF THE INDEPENDENCE OF THE MIND SUPPLEMENTARY NOTE TO CHAPTER XX ENDNOTES.

A Musical Tour through the Land of the Past (1922)

CONTENTS PREFACE NOTE BY TRANSLATOR I. A HUMOROUS NOVEL BY AN EIGHTEENTH-CENTURY MUSICIAN II. AN ENGLISH AMATEUR III. A PORTRAIT OF HÄNDEL IV. THE ORIGINS OF THE “CLASSIC” STYLE IN EIGHTEENTH-CENTURY MUSIC. V. THE AUTOBIOGRAPHY OF A FORGOTTEN MASTER VI. METASTASIO: VII. A MUSICAL TOUR ACROSS EUROPE IN THE EIGHTEENTH CENTURY PART I. Italy PART II. Germany

Mahatma Gandhi (1924)

CONTENTS MOHANDAS KARAMCHAND GANDHI. PART ONE PART TWO PART THREE BIBLIOGRAPHY

The Biography Romain Rolland (1921) by Stefan Zweig

CONTENTS DEDICATION PART ONE. BIOGRAPHICAL CHAPTER I. INTRODUCTORY CHAPTER II. EARLY CHILDHOOD CHAPTER III. SCHOOL DAYS CHAPTER IV. THE NORMAL SCHOOL CHAPTER V. A MESSAGE FROM AFAR CHAPTER VI. ROME CHAPTER VII. THE CONSECRATION CHAPTER VIII. YEARS OF APPRENTICESHIP CHAPTER IX. YEARS OF STRUGGLE CHAPTER X. A DECADE OF SECLUSION CHAPTER XI. A PORTRAIT CHAPTER XII. RENOWN CHAPTER XIII. ROLLAND AS THE EMBODIMENT OF THE EUROPEAN SPIRIT PART TWO. EARLY WORK AS A DRAMATIST CHAPTER I. THE WORK AND THE EPOCH CHAPTER II. THE WILL TO GREATNESS CHAPTER III. THE CREATIVE CYCLES CHAPTER IV. THE UNKNOWN DRAMATIC CYCLE. 1890-1895 CHAPTER V. THE TRAGEDIES OF FAITH CHAPTER VI. SAINT LOUIS CHAPTER VII. AËRT CHAPTER VIII. ATTEMPT TO REGENERATE THE FRENCH STAGE CHAPTER IX. AN APPEAL TO THE PEOPLE CHAPTER X. THE PROGRAM CHAPTER XI. THE CREATIVE ARTIST CHAPTER XII. THE DRAMA OF THE REVOLUTION CHAPTER XIII. THE FOURTEENTH OF JULY CHAPTER XIV. DANTON CHAPTER XV. THE TRIUMPH OF REASON CHAPTER XVI. THE WOLVES CHAPTER XVII. THE CALL LOST IN THE VOID CHAPTER XVIII. A DAY WILL COME CHAPTER XIX. THE PLAYWRIGHT PART THREE. THE HEROIC BIOGRAPHIES CHAPTER I. DE PROFUNDIS CHAPTER II. THE HEROES OF SUFFERING CHAPTER III. BEETHOVEN CHAPTER IV. MICHELANGELO CHAPTER V. TOLSTOI CHAPTER VI. THE UNWRITTEN BIOGRAPHIES PART IV. JEAN CHRISTOPHE CHAPTER I. SANCTUS CHRISTOPHORUS CHAPTER II. RESURRECTION CHAPTER III. THE ORIGIN OF THE WORK CHAPTER IV. THE WORK WITHOUT A FORMULA CHAPTER V. KEY TO THE CHARACTERS CHAPTER VI. A HEROIC SYMPHONY CHAPTER VII. THE ENIGMA OF CREATIVE WORK CHAPTER VIII. JEAN CHRISTOPHE CHAPTER IX. OLIVIER CHAPTER X. GRAZIA CHAPTER XI. JEAN CHRISTOPHE AND HIS FELLOW MEN CHAPTER XII. JEAN CHRISTOPHE AND THE NATIONS CHAPTER XIII. THE PICTURE OF FRANCE CHAPTER XIV. THE PICTURE OF GERMANY CHAPTER XV. THE PICTURE OF ITALY CHAPTER XVI. THE JEWS CHAPTER XVII. THE GENERATIONS CHAPTER XVIII. DEPARTURE PART FIVE. INTERMEZZO SCHERZOSO CHAPTER I. TAKEN UNAWARES CHAPTER II. THE BURGUNDIAN BROTHER CHAPTER III. GAULOISERIES CHAPTER IV. A FRUSTRATE MESSAGE PART SIX. THE CONSCIENCE OF EUROPE CHAPTER I. THE WARDEN OF THE INHERITANCE CHAPTER II. FOREARMED CHAPTER III. THE PLACE OF REFUGE CHAPTER IV. THE SERVICE OF MAN CHAPTER V. THE TRIBUNAL OF THE SPIRIT CHAPTER VI. THE CONTROVERSY WITH GERHART HAUPTMANN CHAPTER VII. THE CORRESPONDENCE WITH VERHAEREN CHAPTER VIII. THE EUROPEAN CONSCIENCE CHAPTER IX. THE MANIFESTOES CHAPTER X. ABOVE THE BATTLE CHAPTER XI. THE CAMPAIGN AGAINST HATRED CHAPTER XII. OPPONENTS CHAPTER XIII. FRIENDS CHAPTER XIV. THE LETTERS CHAPTER XV. THE COUNSELOR CHAPTER XVI. THE SOLITARY CHAPTER XVII. THE DIARY CHAPTER XVIII. THE FORERUNNERS AND EMPEDOCLES CHAPTER XIX. LILULI CHAPTER XX. CLERAMBAULT CHAPTER XXI. THE LAST APPEAL CHAPTER XXII. DECLARATION OF THE INDEPENDENCE OF THE MIND CHAPTER XXIII. ENVOY BIBLIOGRAPHY

The Delphi Classics Catalogue

Series Contents Alphabetical List of Titles Browse eBooks by Themes

← Prev
Back
Next →

← Prev
Back
Next →