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Index
Acknowledgement
Introduction
Chapter 1
Lessons from History
Authorship and copyright before 1710
The Statute of Anne
The battle of the booksellers: literary property defined
Copyright in revolutionary France and America
Developing a sociological understanding of copyright
Notes
Chapter 2
Copyright and the Romantic Author
‘Romanticism’
The Romantic author in nineteenth century UK copyright
Romanticism and copyright
Wordsworth, copyright and immortality
The author, his readers and the market
The Romantic author in French copyright
The hegemony of Romanticism
Notes
Chapter 3
Romanticism and Popular Music
A note on terminology
Romanticism and rock authenticity
Notes
Chapter 4
Romanticism, Copyright and Piracy
Romanticism and the music industry
Romanticism, commodification and copyright
Piracy as an aesthetic crime
Notes
Chapter 5
Problems and Alternatives
Adorno’s culture industry
The collective subject and the death of the author
A positive public right in copyright
Notes
Chapter 6
Introduction to Bootlegging
Copyright in sound recordings of musical works
Bootlegging and international copyright
Defining different types of piracy
Chapter 7
An Overview of Bootlegging
The early history of rock bootlegs
Bootleg sources
The scale of bootlegging
Bootleg collectors
A model of bootlegging
The ‘protection gap’
Notes
Chapter 8
The Impact of Bootlegging on the Record Industry and the Industry’s Response
The economic impact of bootlegging
Legal responses to bootlegging
Anti-bootleg rhetoric
Author-centred rhetoric
Notes
Chapter 9
The Dialectic of Romanticism and the Symbolic Significance of Bootlegging
Contested commodification
The dialectic of Romanticism
Notes
Bibliography
Index
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