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Index
Cover Wiley Blackwell Companions to Art History Title Page Copyright Dedication Notes on Contributors Introduction
Historiographic Perspective Overview of the Chapters Note References
Part I: Production and Distribution
Chapter 1: Court Painting
The Artistic Success of Song Court Painting The Political Context of Court Paintings Remaining Issues Further Exploration Chinese Terms References Further Reading
Chapter 2: The Culture of Art Collecting in Imperial China
Introduction The Formation and Geographical Distribution of Private Art Collections Demography The Issue of Ya versus Su Connoisseurship and Connoisseurs Art Collection Catalogs Art Market, Art Dealers, Art Prices, Forgeries, and Related Phenomena Conclusion Chinese Terms Notes References
Chapter 3: Art, Print, and Cultural Discourse in Early Modern China
Invention and Innovation Books and Social Climbing Painting Albums and Manuals The Cultural Matrix of Early Modern China Chinese Terms References
Chapter 4: Art and Early Chinese Archaeological Materials
Highlights of the Development of Early Tombs and Associated Studies Archaeological and Theoretical Readings Chinese Terms References Further Reading
Part II: Representation and Reality
Chapter 5: Figure Painting: Fragments of the Precious Mirror
Lessons from the Admonitions Scoping the Genre The Body Why Ink Outline? Conclusion: Reflections on the Narratives of Figure Painting Chinese Terms Notes References
Chapter 6: The Language of Portraiture in China
Introduction Historical Development and the Emergence of Types Critical Issues in the Art of Chinese Portraiture Terminology and Typology Acknowledgments Chinese Terms Notes References Further Reading
Chapter 7: Visualizing the Divine in Medieval China
Introduction Figures of Divine Presence Sacred Spaces and Divine Cosmologies Landscape as Sacred Geography Conclusion Chinese Terms Notes References Further Reading
Chapter 8: Landscape
Bibliographical Note Chinese Terms Notes References
Chapter 9: Concepts of Architectural Space in Historical Chinese Thought
Chinese Terms Notes References Further Reading
Chapter 10: Time in Early Chinese Art
Why Time in Chinese Art? Mechanism of Cyclical Time Art as Manipulation of Time Time and Alchemy Reconciling Cyclicality and Linearity Chinese Terms Notes References Further Reading
Part III: Theories and Terms
Chapter 11: The Art of “Ritual Artifacts” (Liqi): Discourse and Practice
Eastern Zhou Discourse on Liqi The Age of Liqi The Legacy of Ritual Artifacts Chinese Terms Notes References Further Reading
Chapter 12: Classification, Canon, and Genre
Introduction Key Terms Canons and Canonicity Genre, Theory, and History Chinese Terms References Further Reading
Chapter 13: Conceptual and Qualitative Terms in Historical Perspective
Gu Kaizhi on Xing and Shen Shen Applied to Landscape Painting Key Terms in Xie He's Six Laws Five Dynasties and Song Period Developments Zhen and Yi Concepts in “Literati Painting” “Poetic Mood” in Painting Chinese Terms References Further Reading
Chapter 14: Imitation and Originality, Theory and Practice
Introduction The Canonization of Wang Xizhi's Preface to the Poems from the Orchid Pavilion Literary Gathering Fang Imitation and Dong Qichang's Southern School of Painting Chinese Terms Notes References Further Reading
Chapter 15: Calligraphy
Institutional Foundations of Chinese Calligraphy Social Functions and the Material Dimension of Calligraphy Canons and Daily Practice (Rike) Text, Script Type, and Personal Style Chinese Terms Notes References Further Reading
Chapter 16: Emptiness-Substance: Xushi
Xu and Shi in the Art of the Chinese Literary Garden Xu and Shi in Seal Engraving Xu and Shi in Chinese Calligraphy and Literati Painting Chinese Terms References Further Reading
Part IV: Objects and Persons
Chapter 17: Artistic Status and Social Agency
The Zhou Dynasty and Warring States Period (Eleventh through Third Centuries BCE) The Han Dynasty Medieval Period (Third through Tenth Centuries CE) Early Modern Period: Song Dynasty (960–1278) Concluding Thoughts on the Late, Early Modern Period (Fourteenth through Eighteenth Centuries) Conclusion Chinese Terms References
Chapter 18: Ornament in China
Definitions and Traits Early China, ca. 5000–221 BCE The Early Empires and Their Successors (221 BCE–906 CE) From Song to Qing Chinese Terms Notes References Further Reading
Chapter 19: Folding Fans and Early Modern Mirrors
Origins and Originality: Ancient Mirrors Origins and Originality: Ancient Fans Early Modern Things: Mirrors Early Modern Things: Folding Fans Material Change and the Social Death of Things Chinese Terms References Further Reading
Chapter 20: Garden Art
The Rise of Garden Form: Bronze Age to Han The Formation of a Genre: Six Dynasties Period to Tang The Development of Landscape Gardening: Song to Ming The Turn to a Pictorial Esthetic: Ming to Qing Gardens as Lyrical Enclaves Chinese Gardens in the Context of a World History of Gardens Chinese Terms Notes References
Chapter 21: Commercial Advertising Art in 1840–1940s “China”
Commercial Cartoon Genre and the Cliché Mise-en-Scène of the Gazing Girl Badiou and Inaesthetics What is the Historicity of Commercial Advertising Art? Advertising and Art Photography Conclusion Chinese Terms Notes References Further Reading
Part V: Word and Image
Chapter 22: Words in Chinese Painting
Beginnings: Identifying, Labeling, Naming Calligraphy and Poetry as Key Factors in the Word–Image Relationship The Northern Song (960–1127) Integration of Poetry, Calligraphy, and Painting Painting Became a Vehicle for Expressions of Discontent Southern Song (1127–1272) Seal Legends Comparisons with Western Europe The Mongol Yuan Dynasty (1272–1368) Ming Dynasty: The Literati Esthetic Becomes Dominant The Manchu Qing Dynasty (1644–1911) Silent Poetry and Vernacular Painting Conclusion Chinese Terms References Further Reading
Chapter 23: On the Origins of Literati Painting in the Song Dynasty
Paintings by Literati and “Literati Painting” If Not Khubilai, Then What, When, Why? “Literati Painting”: How to Think about What We Do and Do Not Know Chinese Terms Notes References
Chapter 24: Poetry and Pictorial Expression in Chinese Painting
Gu Kaizhi (ca. 345–ca. 406) Guo Xi (after 1000–ca. 1090) and Huayi (The Meaning of Painting) Xieyi and Shiyi The Shiyi of Sima Huai and Mi Youren Conclusion Chinese Terms References
Chapter 25: Popular Literature and Visual Culture in Early Modern China
Peeping in the Classical Period The Topos of Peeping in Medieval and Early Modern Literature Framed Peeping and Garden Aesthetics Epilogue Chinese Terms Notes References Further Reading
Index EULA
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