Art, Agency and Living Presence · From the Animated Image to the Excessive Object by van Eck, Caroline -- Read -- Imperial Library of Trantor

Index

Title Page Table of Contents ACKNOWLEDGEMENTS INTRODUCTION

RHETORIC AGENCY EXPERIENCE AND MEMORY THE ANIMATED IMAGE: A GROWING FIELD THE STRUCTURE OF THIS BOOK

PART ONE

ENARGEIA

ENARGEIA, EKPHRASIS AND PHANTASIA

PHANTASIA

PHANTASIA, MEMORY AND LIVING PRESENCE RESPONSE THE EARLY MODERN AFTERLIFE OF EKPHRASTIC ENARGEIA CONCLUSION

AGENCY

ART AND AGENCY THE EXPERIENCE OF LIVING PRESENCE LIVING PRESENCE AS AGENCY AND EXPERIENCE

ANIMACY ‘LAOCOON I AM’ BELLINI’S BRERA PIETÀ BERNINI’S MEDUSA

MEMORY

SIMULACRA IN THE CHAMBERS OF MEMORY PERCEPTION, MEMORY AND EMOTION

MEMORY IS NOT AN ART GALLERY, BUT A SERAGLIO

EKPHRASIS AS IMAGINATIVE RECOLLECTION AND RECREATION CONCLUSION

PART TWO

IDOLATRY

FRANÇOIS LEMÉE ON THE MONUMENT OF LOUIS XIV AT THE PLACE DES VICTOIRES A NEW WAY OF CONSIDERING IDOLATRY

CONCLUSION

FETISHISM

PERSUASIVE FIGURATION AS THE FOUNDATION OF IDOLATRY FETISHISM ‘LES RAPPORTS INTIMES DES STATUES AVEC LA SOCIÉTÉ’ ‘LE MINISTRE LE PLUS DOCILE DES VOLONTÉS DE LA RELIGION’ CONCLUSION

AESTHETIC AMBIVALENCE

PYGMALION’S DREAM PETRIFYING STATUE LOVERS GOETHE’S GALLERY OF ART LOVERS

ART FETISHISM

KANT’S EPISTEMOLOGICAL BARRIER AGAINST FETISHISM CONCLUSION

PLATES PART THREE

FRAMING, STAGING AND ACTING LIVING PRESENCE

LIVING PRESENCE AND A VISUAL HISTORY OF ART

SANTA MARIA DEL PRIORATO: ANACHRONISM EMBODIED

‘KILLING ART TO WRITE ITS HISTORY’ ‘GLORIOUS VISIONS OF THE PAST’ ‘THE PRESENCE OF REALITY INSTEAD OF ITS APPEARANCE PRODUCED A FEARFUL SENSATION’ CONCLUSION

THE AFTERLIFE OF ART

ABY WARBURG ON THE LIVES OF ART WORKS

PATHOSFORMEL AND NACHLEBEN THE LIFE OF ART AS AN ARTISTIC ISSUE THE AGENCY OF LIFELIKENESS MNEMOSYNE: NACHLEBEN AS AN ISSUE IN ART HISTORY

REPRESENTATION MNEMOSYNE, NACHLEBEN, AND HISTORICAL EXPERIENCE CONCLUSION

EPILOGUE - FROM THE ANIMATED IMAGE TO THE EXCESSIVE OBJECT

‘THE APPEARANCE OF THE SOUL’ CHANGING APPRECIATIONS OF VIEWERS ATTRIBUTING LIFE TO ART AN ANTHROPOLOGICAL TURN EXCESSIVE AND TRANSITIONAL OBJECTS HOMO ANIMANS AND HOMO REPRAESENTANS

NOTES BIBLIOGRAPHY

PRIMARY SOURCES SECUNDARY SOURCES

LIST OF ILLUSTRATIONS

Introduction Chapter One Chapter Two Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Epilogue

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