Understanding Deleuze, Understanding Modernism by Mattison, Laci,Ardoin, Paul,Gontarski, S.E. -- Read -- Imperial Library of Trantor

Index

Cover-Page Half-Title Series Title Contents Abbreviations Contributors Series Preface Introduction: Gilles Deleuze and the Staging of Philosophy

Notes

Part 1 Conceptualizing Deleuze

1 Deleuze’s Proust and Signs: The Literary Partial Object

The first Proust and Signs The second Proust and Signs A new conclusion Forever Proust Notes

2 Life as Method: The Invention of Problems in Deleuze’s Bergsonism

Section 1 Section 2 Section 3/Conclusion Notes

3 Diagrammatic Modernism: Abstraction, Immanence, and the Positions of Style

Abstraction The Logic of Sensation Intensive texts Positions of transcendence Positions of immanence Intensive reading and the uses of representation Notes

4 Reading Anti-Oedipus: Literature, Schizophrenia, and Universal History

“It works too, believe me . . .” From homo natura to homo historia May ’68 and the impasse of Oedipus Schizoanalysis as cultural criticism Notes

5 On the Flyleaves of Modernism: Deleuze and Guattari’s Kafka

The problem(s) of Kafka “What is an assemblage?” “What is a minor literature?” 1975: Head over heels and away Conclusion Notes

6 Intensive Multiplicities in A Thousand Plateaus

Multiplicity, rhizome, destratification Strata, destratification, the body without organs From becoming-intense . . . to becoming-minoritarian War machine and the apparatus of capture Notes

7 The Movement-Image, The Time-Image, and the Paradoxes of Literary and Other Modernisms

Modernisms How many times has film been modern? Cinematographic and literary modernisms: Paradox of specificity Bergson, the world seen anew, and the paradox of the modernist visionary Nietzsche and the paradox of fabulation: Powers of the false Periodization and the paradox of a film history in the temporality of Aîon Modernism and the question of Deleuze’s “second poetics” Untimely meditation Notes

8 What is Philosophy?: “To play it again on a new stage”

The image of thought The idiot Sensibilia Notes

9 Essays Critical and Clinical: The Book as a “Whole”

The procedure Notes

Part 2 Deleuze and Aesthetics

10 “A strange respect for the individual”: Gilles Deleuze and Hardy the Novelist

I II III Notes

11 Entangled in Nature: Deleuze’s Modernism, Woolf’s Philosophy, and Spinoza’s Ethology

Percepts and affects: Mrs. Dalloway Spinozist Ethology: Woolf, Katherine Mansfield, and Roger Fry Notes

12 Dancing with Deleuze: Modernism and the Imperceptible Animal

Notes

13 Henry Miller and Deleuze’s “Strange Anglo-American Literature”

The counterfeit self Getting drunk on water Strange Anglo-American literature Notes

14 Schizoanalytic Modernism: The Case of Antonin Artaud

Notes

15 Deleuze’s Perspectival Theory of Modernism and the Baroque

Toward a metaphysics of perspective in the monadic space of the Baroque From “compossibility” in the Baroque to “incompossibility” in the neo-Baroque Toward a metaphysical perspective in modernist art and literature Glimpses of the metaphysical perspective in Beckett Notes

16 Incorporeal Modernism

I II III Notes

Part 3 Glossary

17 Abstract Machine

Note

18 Actual/Virtual

Note

19 Affect 20 Assemblage

Notes

21 Becoming 22 Body Without Organs

Notes

23 Desire

Note

24 Deterritorialization

Notes

25 Memory

Notes

26 Minor Literature

Notes

27 Plane of Immanence

Notes

28 Rhizome

Notes

29 Schizoanalysis

Notes

30 Stuttering

Note

31 Time-Image

Notes

Index Copyright

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