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Imperial Library
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Index
Chapter 1
The Psychology Of Film And Television Music
Audio-Visual Counterpoint
Chapter 2
The Spotting Session
The Scoring Session
The Recording Session
The Mixdown Session
The Dubbing Session
Chapter 3
Tritones
Scales Of Limited Transposition
Intervals And Dramatic Effect: Consonant To Dissonant
Chapter 4
Rhythmic Approach
Melody Or Pitch-Class Relationships
Harmony Or Density In Action Music
Rhythmic Polyphony
Chapter 5
Light Suspense
Buildup To Grand Tuttis
Neutral Suspense
Chapter 6
Horror
Love
Comedy
Chapter 7
With The Clock
Click Tracks
Chapter 8
Music Under Dialogue
Using Sound Effects As Music
Chapter 9
As Background Music
As A Song
Chapter 10
The Use Of Ostinato
Flashbacks
Montages
Slow Motion
Split Screen
Chapter 11
Latin America
Tango
Period Music
Chapter 12
Connections
Ending
Television Formats
Chapter 13
Documentaries
Coming Attractions And Featurettes
Chapter 14
Universal And Herrmann
Mgm And The Composers
Chapter 15
“Main Title”
“Film Noir”
“First Transition”
“The Silent Comedians”
“Second Transition”
“Love Scene”
“The Final Conflict”
Chapter 16
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