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Index
Cover
Copyright
Contents
Foreword by Lincoln Mayorga
Introduction by Arnold Steinhardt
Preface by Tom Heimberg, with Erica Heimberg
Part I: PRACTICE
1 The Mind in Practice
2 Practice and Self-Observation
3 Using Imaging in Practice
4 Self-Teaching Books and Instruction
5 To Preserve, Protect, and Defend Practice Time
6 Personal Practice Planning
7 Building a Personal Practice Book
8 How Fast Is Slow?
9 Picking up the Pace
10 Tools for Better Technique
11 Pizzicato: The Other Way to Play
12 Bow Explorations
13 Vibrato
14 Tremolo
Part II: COUNSEL & GUIDANCE
15 Be Prepared
16 Contract Tips for the Gigging Player
17 The Fine Art of Faking
18 Heimberg’s Handy Hints: Tips and Tricks of the Trade
19 Lessening Audition Agonies
Part III: VIEWS FROM THE MUSICAL LIFE
20 An Orchestra Is Split
21 Letter from the Pit
22 The Freeway Philharmonic
23 Marking the Music
24 In Praise of Prompters
25 Remembering Emile Férir
26 Felix Said
27 Considering Kreisler
28 Music for Viola and Piano (and Bird and Child)
29 Letter from Backstage
30 Puccini’s Viola of Love
Acknowledgments
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