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Index
Introduction
WORKS CITED
Editors’ Note
Chronology
CRITICAL ESSAYS
American Theater in the 1950s and Inge’s Plays
WORKS CITED
The Inside-Outsider
Come Back, Little Sheba and Mass Culture
NOTES
WORKS CITED
The Two Texts of Picnic
WORKS CITED
Picnic, Summer Brave, and the Peace of Staying
NOTE
WORKS CITED
Robert Brustein’s “Men-Taming Women of William Inge”: A Re-Examination
II.
III.
IV.
WORKS CITED
Structures of Violence: Gender Roles in Inge’s Plays
WORKS CITED
Inge and the Empty Stage
WORKS CITED
Life with Father in Four Inge Plays
NOTES
WORKS CITED
“Going Next Door”: Placing Inge
WORKS CITED
Another Kansan in the Land of Oz: Inge as Screenwriter
WORKS CITED
Build-Up to Natural Affection
NOTES
WORKS CITED
Unnatural Affection: Sons and Mothers
NOTES
WORKS CITED
REMINISCENCES
Memories of Happier Times
Loving Memories of a Kindly Uncle
Billy
My Teacher
Shadows on Success
Hampton Sundays
Inward Bound
Counted Among His Friends
Directing Picnic
Designing Picnic
On the Verge
What Remains Behind
A Softness That Never Toughened
Driving Inge
That Was Bill
Gestures of Love, Gestures of Despair
Waiting for Inge
The Stairs to Darkness
He Knew the Poetry of Life
Notes on Contributors
List of Names and Terms
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