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Index
Introduction
WORKS CITED
Editors’ Note Chronology CRITICAL ESSAYS
American Theater in the 1950s and Inge’s Plays
WORKS CITED
The Inside-Outsider Come Back, Little Sheba and Mass Culture
NOTES WORKS CITED
The Two Texts of Picnic
WORKS CITED
Picnic, Summer Brave, and the Peace of Staying
NOTE WORKS CITED
Robert Brustein’s “Men-Taming Women of William Inge”: A Re-Examination
II. III. IV. WORKS CITED
Structures of Violence: Gender Roles in Inge’s Plays
WORKS CITED
Inge and the Empty Stage
WORKS CITED
Life with Father in Four Inge Plays
NOTES WORKS CITED
“Going Next Door”: Placing Inge
WORKS CITED
Another Kansan in the Land of Oz: Inge as Screenwriter
WORKS CITED
Build-Up to Natural Affection
NOTES WORKS CITED
Unnatural Affection: Sons and Mothers
NOTES WORKS CITED
REMINISCENCES
Memories of Happier Times Loving Memories of a Kindly Uncle Billy My Teacher Shadows on Success Hampton Sundays Inward Bound Counted Among His Friends Directing Picnic Designing Picnic On the Verge What Remains Behind A Softness That Never Toughened Driving Inge That Was Bill Gestures of Love, Gestures of Despair Waiting for Inge The Stairs to Darkness He Knew the Poetry of Life Notes on Contributors List of Names and Terms
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