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Index
Cover
Half-Title
Title
Contents
List of Plates
List of Illustrations
Acknowledgements
Luminosities: An Introduction
PART ONE THE THEATER OF THE SELF (1984–91)
1 Dialogue as “Lyrical Hermaphroditism”: Mandel’shtam’s Challenge to Bakhtin
2 Petersburg Influenza: Not es on The Egyptian Stamp by Osip Mandel’shtam: An Excerpt from a Seminar Paper for Comparative Literature 206 (Prof. Donald Fanger, 1984)
The Final Journey of The Egyptian Stamp
3 The Death of the Revolutionary Poet: Vladimir Mayakovsky and Suicide as Literary Fact
The Theater of the Self: Myth, Fashion, and Writing
“Revolutionary Poet”: History, Myth, and the Theater of Cruelty
A Portrait of the Artist in a Yellow Blouse: Metaphor and Transgression
Suicide as a Literary Fact: “Vladimir Mayakovsky” by Roman Jakobson
Poetics of Mistranslation: “Vladimir Mayakovksy” by André Breton
4 Marina Tsvetaeva and the Cultural Mask of the Poetess
5 Public Personas and Private Selves of Cultural Critics
PART TWO LIVING IN COMMON PLACES AND RETHINKING WHAT MATTERS (1992–95)
6 The Poetics of Banality: Tat’iana Tolstaia, Lana Gogoberidze, and Larisa Zvezdochetova
7 Common Places
Theoretical Common Places
Archaeology of the Common Place: From Topos to Kitsch
Living in Common Places
Family Romance and Communal Utopia
From the House-Commune to the Communal Apartment
Welcome to the Communal Apartment
Communal Neighbors: Oral History and Class Struggles
Psychopathology of Soviet Everyday Life
Interior Decoration
Ode to the Commode
Poverty of Sociology and the Aesthetics of Survival
The End of the Communal Apartment
A Homecoming, 1991
8 Paradoxes of Unified Culture: From Stalin’s Fairy-Tale to Molotov’s Lacquer-Box
“Lacquering Reality”: Molotov’s Lacquer Box
PART THREE THAT HISTORICAL EMOTION (1996–2001)
9 On Diasporic Intimacy: Ilya Kabakov’s Installations and Immigrant Homes
Intimate Art: Ilya Kabakov’s Toilets and the Palace of the Future
10 The Future of Nostalgia
From Cured Soldiers to Incurable Romantics
Restorative Nostalgia: Conspiracies and Return to Origins
The Sistine Chapel: Restoration of the Sacred
Reflective Nostalgia: Virtual Reality and Collective Memory
Bar Nostalgija: Reflections on Everyday Memories
Vladimir Nabokov’s False Passport
Nostalgia, Kitsch and Death
Exile by Choice
Nostalgia and Global Culture
The Last Homecoming
11 Conspiracy Theories and Literary Ethics: Umberto Eco, Danilo Kis and The Protocols of Zion
Danilo Kiš and the Ethics of Estrangement
12 Kosmos
PART FOUR FREEDOM, SUBJECTIVITY, AND THE GULAG (2002–10)
13 My Grandmother’s First Love
14 How Soviet Subjectivity is made (Kak sdelana “sovetskaia sub’ektivnost”)
15 “Banality of Evil,” Mimicry, and the Soviet Subject: Varlam Shalamov and Hannah Arendt
Ethics of Intonation and Human Error
Hannah Arendt: The Banality of Evil and the Art of Judgment
Rationing Clichés, Documenting Terror
Mimicry, Misprint, and Technologies of the Gulag
16 Freedom as Co-Creation
Adventure and the Borders of Freedom
The Public World and the Architecture of Freedom
Agnostic Space: Freedom versus Liberation
Scenography of Freedom: Political Optics and Phantasmagoria
Passionate Thinking, Judging, and Imagination
PART FIVE THE OFF-MODERN (2010–17)
17 The Off-Modern
History Out of Sync
Cultural Exaptation
Human Error
Edgy Geography
Black Mirrors
On Off
18 Scenography of Friendship
“Oh”: On Tact, Taste, and the Anchovy Paste
Tactfulness: Touching without Tampering
Diasporic Intimacy: Playing with Daimons
“Ach:” The Furrows of Friendship
19 Vernacular Cosmopolitanism: Victor Shklovsky and Osip Mandelshtam
Modernist Humanism as a Double Estrangement
Vernacular Cosmopolitanism and Critique of Revolutionary Violence
Osip Mandelshtam: Co-creation with Fear and The Ends of Theory
Nostalgia for World Culture and the Storm of History
20 Cryptoarchitecture: Corbusier at 50, A Tour with Svetlana Boym
So What is Cryptogamy?
Experiment in Multitasking with Clouds
Disclaimer
Origins
Ironic Use
PART SIX AFTERIMAGES: SVETLANA BOYM’S IRREPRESSIBLE CO-CREATIONS
21 Touching Writing (Homage to Jacques Derrida, October 8, 2004)
22 Immigrant Hydrants
23 Framing the Family Album
24 Nostalgic Technology: Notes for an Off-modern Manifesto
A Margin of Error
Short Shadows, Endless Surfaces
Errands, Transits
A Critic, an Amateur
25 Cities in Transit
26 Phantom Limbs
Memories of the Charles River 2011-2013
Bereshit (Arameic: in the beginning.)
27 Remembering Forgetting: Tale of a Refugee Camp
Sources
I. The Theater of The Self (1984-1991)
II. Living in Common Places and Rethinking What Matters (1992-1995)
III. That Historical Emotion (1996-2001)
IV. Freedom, Subjectivity, and the Gulag (2002-2010)
V. The Off-Modern (2010-2017)
VI. Afterimages: Svetlana Boym’s Irrepressible Co-creations
Bibliography
Index
Plates
Copyright
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