Classic Human Anatomy in Motion by Winslow, Valerie L. -- Read -- Imperial Library of Trantor

Index

Cover Title Page Copyright Acknowledgments Contents Preface Introduction Chapter 1: Bones and Surface Landmarks

The Main Bones of the Human Figure Bony Landmarks The Cranium The Vertebral Column The Thorax (Rib Cage)

The Sternum The Shoulder Girdle of the Rib Cage

Bones of the Upper Limb

The Humerus The Ulna and Radius

Bones of the Hand The Pelvis Bones of the Lower Limb Bones of the Foot

Chapter 2: Joints and Joint Movement

Basic Joint Types

Fibrous Joints Cartilaginous Joints Synovial Joints

Basic Joint Movements Anatomical Planes The Individual Joints of the Skeleton

Mandible Joint Joints of the Vertebral Column, Rib Cage, and Pelvis Joints of the Upper Limb and Shoulder Girdle Joints of the Lower Limb

Chapter 3: Muscle and Tendon Characteristics

Skeletal Muscles

Muscle Architecture Muscles’ Internal Structure

Muscle Attachments (Tendons) Tendon Landmarks

Tendons of the Sternocleidomastoid Muscle of the Neck Tendons of the Dorsal Side of the Hand Tendons of the Anterior Region of the Lower Arm Tendons of the Hamstring Muscles The Achilles Tendon Tendons of the Dorsal Side of the Foot

Muscle Contraction

Dynamic Muscle Contraction Static Muscle Contraction

Muscles’ Differing Roles

Agonist (Prime Mover) and Antagonist Synergists and Stabilizers

The Influence of Force on Anatomical Forms

Chapter 4: Facial Muscles and Expressions

Facial Muscle Movement Facial Muscle Groups

The Forehead Muscle Group The Orbital Muscle Group The Nasal Muscle Group The Oral Muscle Group

Facial Expressions Muscles That Move the Jaw

Muscles of the Mandible The Suprahyoid Muscle Group Open-Mouth Expressions

The Platysma and Risorius Muscles Facial Wrinkle Patterns

Chapter 5: Muscles of the Neck and Torso

Muscles of the Neck Muscles of the Thorax The Abdominal Muscle Group Muscles of the Back

The Superficial Muscle Layer The Intermediate Muscle Layer The Deep Muscle Layer

The Scapular Muscle Group The Deltoid The Axilla

Chapter 6: Muscles of the Arm and Hand

Muscle Groups of the Upper Arm

The Flexor Muscle Group of the Upper Arm The Extensor Muscle Group of the Upper Arm

Muscle Groups of the Lower Arm

The Flexor Muscle Group of the Lower Arm The Extensor Muscle Group of the Lower Arm The Radial Muscle Group

Muscles of the Hand

The Interosseous Muscle Group The Thenar Muscle Group The Hypothenar Muscle Group

Chapter 7: Muscles of the Leg and Foot

The Gluteal Muscle Group Three Muscle Groups of the Upper Leg, with the Sartorius Muscle

The Quadriceps Muscle Group The Adductor Muscle Group The Sartorius Muscle The Hamstring Muscle Group

Three Muscle Groups of the Lower Leg

The Flexor Muscle Group of the Lower Leg The Extensor Muscle Group of the Lower Leg The Peroneal Muscle Group of the Lower Leg

Muscles of the Foot

Chapter 8: Body Types, Surface Landmarks, and Soft-Tissue Characteristics

Basic Body Types

The Mesomorph Body Type The Ectomorph Body Type The Endomorph Body Type

Surface Form Landmarks

Landmarks of the Head and Neck Landmarks of the Torso Landmarks of the Arm and Hand Landmarks of the Leg and Foot

The Subcutaneous Layer Fat Pads and Fatty Tissues

Fatty Tissues of the Face and Neck Region Fatty Tissues of the Torso Fatty Tissues of the Arm and Hand Fatty Tissues of the Leg

Chapter 9: Structures and Planes of the Figure

Preliminary Structures

Structures for the Head Structures for the Neck and Shoulders Structures for the Rib Cage and Pelvis Structures for the Arm Structures for the Hand Structures for the Leg Structures for the Foot

The Planes of the Figure

Chapter 10: Gesture and Action Drawing

Method #1: The Stick Figure Approach Method #2: The Silhouette Approach Method #3: The Searching Line Approach Method #4: The Organic Line Approach Method #5: The Contour Lines and Tones Approach Method #6: The Anatomical Gesture Approach Method #7: The Manikin Approach Method #8: The Toned Paper Approach Enhancing Gesture Drawings Gesture Drawings of Body Parts Practicing Gesture Drawing—Pros and Cons

Drawing from a Professional Model in a Studio Setting Drawing from Nonprofessional Models Drawing from Photographs Drawing from Other Artists’ Drawings Drawing Ordinary People in Everyday Situations Drawing from Memory or Imagination

Chapter 11: Finding Movement within the Stationary Figure

The “Four T’s”

Turning Movement Tilting Movement Tipping Movement Twisting Movement Combining Tilting and Turning

Movements of the Head

Turning of the Head Tilting of the Head Tipping of the Head Combining Tilting and Turning of the Head Combining Turning, Tilting, and Tipping of the Head

Tilting Movements of the Torso

Vertical Alignment of the Rib Cage and Pelvis Tilting Rib Cage with Stationary Pelvis Tilting Pelvis with Stationary Rib Cage Tilting Rib Cage and Tilting Pelvis

Basic Twisting Movement of the Torso Continuous Twisting Movement of the Whole Figure Axes of Movement Finding Movement in Standing Poses: Contrapposto

Traditional Contrapposto Dynamic Contrapposto

Finding Movement in Various Poses: Line of Action Finding Movement in Diagonal Poses

Chapter 12: Rhythmic Movement

Rhythm of Line Rhythm of Forms Rhythm of Shapes Rhythm of Lights and Tones

Chapter 13: Sequential Movement

Mechanics of the Gait Cycle

The Walking Gait Cycle The Running Gait Cycle

Sequential Movement Exercises

Exercise #1: Working from Freeze-Framed Video Exercise #2: Working from Sequential Still Photographs Exercise #3: Superimposing Sequential Actions Exercise #4: Capturing Continuous Movement Exercise #5: Capturing Basic Positions of a Choreographed Movement Exercise #6: Capturing Action/Reaction Poses

Suggested Reading About the Author/Artist Index

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