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Index
Cover Page
Title Page
Dedication Page
Contents
Introduction: Luxury in Modernism
Chapter 1. Consumption: Peter Behrens at the AEG and the Luxury of Technology
Chapter 2. Objectivity: The Werkbund Display Window and Architecture’s Object
Chapter 3. Capital: The Haus am Horn and the Early Bauhaus
Chapter 4. Production: The Bauhaus Object and Its Irreproducibility
Chapter 5. Subjectivity: Mies Van Der Rohe’s Materiality and the Reinscribing of Modernism’s Meaning
Chapter 6. Interiority: Mies Van Der Rohe, Auratic Space, and the Modern City
Conclusion: Luxury’s Last Manifestations
Acknowledgments
Notes
Index
Image Credits
Copyright Page
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