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Index
Acknowledgments
Introduction: Why Mexploitation?
Mexploitation: Horror, Mexican Style
Mexican Horror Cinema in Social Context
The Birth of Mexploitation
Mexploitation: A Critical Inquiry
Camp, Cheese, and Counter-Cinema
Mexploitation as Counter-Cinema
Mexicanidad and Modernity: Visions of Mexico in Mexploitation
The Chica Moderna and the Countermacho: Sex, Gender, and Patriarchy in Mexploitation
El barón del terror (The Brainiac, 1961)
El Santo, el Enmascarado de Plata
Santo and the Lucha Libre Film: A Brief History
Lucha Libre and the Semiotics of Wrestling
Santo as “National Allegory”
Santo contra las mujeres vampiro (Santo vs. the Vampire Women, 1962)
Santo, el Enmascarado de Plata vs. la invasión de los marcianos (Santo, the Silver–Masked Man vs. the Invasion of the Martians, 1966)
Santo y Blue Demon contra Drácula y el Hombre Lobo (Santo and Blue Demon vs. Dracula and the Wolf Man, 1972)
Las Luchadoras
From Chicas Modernas to Wrestling Women
Las luchadoras vs. el médico asesino (Doctor of Doom, 1962)
Las luchadoras contra la momia (Wrestling Women vs. the Aztec Mummy, 1964)
El horripilante bestia humana (Night of the Bloody Apes, 1968)
Conclusion: The End of Mexploitation
Mexican Horror Cinema After Tlatelolco
Death of a Genre
Selected Filmography
Selected Mexican Horror Films Imported byK. Gordon Murray
Selected Santo Films
Selected Luchadoras Films
Chapter Notes
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Conclusion
Bibliography
Index of Terms
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