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Index
Cover
Title Page
Dæmon Voices
Selected Works by Philip Pullman
Contents
Topic Finder
Introduction
By Simon Mason
Magic Carpets
The Writer’s Responsibilities
The Writing of Stories
Making It Up and Writing It Down
Heinrich von Kleist: On the Marionette Theatre
Grace Lost and Regained
Paradise Lost
An Introduction
The Origin of the Universe
The Storytelling of Science and Religion: A Response to a Lecture by Stephen Hawking
The Path through the Wood
How Stories Work
Dreaming of Spires
Oxfords, Real and Imaginary
Intention
What Do You Mean?
Children’s Literature Without Borders
Stories Shouldn’t Need Passports
Let’s Write it in Red
The Practice of Writing
Epics
Big Stories about Big Things
Folk Tales of Britain
Streams of Stories Down Through the Years
As Clear as Water
Making a New Version of the Brothers Grimm
A Bar at the Folies-Bergère
Modernism and Storytelling
Poco a Poco
The Fundamental Particles of Narrative
The Classical Tone
Narrative Tact and other Classical Virtues
Reading in the Borderland
Reading, Books and Pictures
Oliver Twist
An Introduction
Let’s Pretend
Novels, Films and the Theatre
The Firework-Maker’s Daughter on Stage
The Story of a Story
Imaginary Friends
Are Stories Anti-scientific?
Maus
Behind the Masks
Balloon Debate
Why Fiction is Valuable
The Anatomy of Melancholy
An Introduction to an Indispensable Book
Soft Beulah’s Night
William Blake and Vision
Writing Fantasy Realistically
Fantasy, Realism and Faith
The Story of The Good Man Jesus and the Scoundrel Christ
A Response to Puzzled Readers
The Cat, the Chisel and the Grave
Do We Need a Theory of Human Nature to Tell Us How to Write Stories?
‘I Must Create a System… ‘
A Moth’s-eye View of William Blake
Talents and Virtues
Another Visit to Miss Goddard’s Grave
God and Dust
Notes for a Study Day with the Bishop of Oxford
The Republic of Heaven
God is Dead, Long Live the Republic!
About the Author and Editor
Acknowledgements
Permissions
Index
Colour Section
Copyright
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