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Index
Cover
Half Title
Title Page
Copyright Page
Table of Contents
Acknowledgements
Introduction
Part I
1 Belgian Literature and the Symbolism of the Double
2 Maeterlinck and the Search for Music
3 On the Art of Crossing Borders: The Double Artist in Belgium, between Myth and Reality
4 Belgian ‘Negro’ Fiction: Modernist Itinerary of a Didactic Genre
Part II
5 Modernity and Politics
6 Representation and Subjectivity: Belgian Playwrights and Modernity
7 A Sulphurous Time: Les contes du whisky by Jean Ray, a Translation of ‘les Années Folles’
8 Belgian Photography between the Two World Wars, or the Hesitations between Late Pictorialism and the New Vision
9 Hergé–Simenon, Thirties
10 A Road Story of the Belgian Avant-Garde
11 The Avant–Garde on the Reworking of Tradition
12 ‘Tranquil Independence’: National Identity and Musical Modernity in Belgium between the Wars
13 Surrealism in Belgium between the Wars
14 Twenty years on — Distances: Belgian and French Surrealists and ‘the’ Revolution
15 The Splendours of Hatred: Louis Scutenaire between Surrealism and Situationism
Bibliography
Index
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