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Index
Cover
Title page
The Editors
Dedication
Epigraph
Table of Contents
General editors’ preface
Preface
Introduction
The play
Genesis and early performances
Genre
Structure
Music
Language
Characters
The context
Domestic politics
Brave new world
Africa and Ireland
Literary forerunners
Classical models
The ‘salvage man’
Magic
Masque
The afterlife
Restoration rewritings
Eighteenth-century ambivalence
Romanticism
Perspectives on imperialism
Re-enter Miranda
Freudian influences
‘The Tempest’ on stage and film since 1900
The text
Ralph Crane’s manuscript
Editorial practices
Cruxes
Additions and reconsiderations
Shakespeare’s sources revisited
Afterlife, amended and extended
THE TEMPEST
Scene 1.1
Scene 1.2
Scene 2.1
Scene 2.2
Scene 3.1
Scene 3.2
Scene 3.3
Scene 4.1
Scene 5.1
Epilogue
Appendix 1: Sources
1. Strachey, ‘A True Reportory’
2. Montaigne, ‘Of the Caniballes’
Appendix 2: Appropriations
1. Browning, ‘Caliban upon Setebos’
2. Rodó, Ariel
3. Mannoni, Prospero and Caliban
Abbreviations and references
Abbreviations used in notes
Shakespeare’s works and works partly by Shakespeare
Editions of Shakespeare collated
Other works
eCopyright
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