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Index
Cover Title Page Copyright Page Dedication Contents List of Musical Examples Note on Sources Translator’s Note Preface Introduction: Where These Conversations Come from Chapter 1. A Pact Made with Mephisto: Over a Game of Chess Chapter 2. A Composer Lent to Cinema
On Arranging The Beginnings in Cinema Paying My Dues Luciano Salce Sergio Leone and The Dollar Trilogy A Fistful of Dollars: Myth and Reality For a Few Dollars More The Good, the Bad and the Ugly Pier Paolo Pasolini The Hawks and the Sparrows and a Strange Poem Teorema and an Unrealized Story Surrendering to Pasolini Collaborations, Experiments, and Professional Consolidation Pontecorvo, De Seta, Bellocchio Bolognini, Montaldo Wertmüller, Bertolucci Consensus or Consumption? 1968 and Once Upon a Time in the West Duck, You Sucker Elio Petri Sergio the Producer Once Upon a Time in America The “Leningrad Project” and Leone’s Death
Chapter 3. Music and Images
Reflections and Memories of a Film Music Composer No Theme? More Fun! Giuseppe Tornatore Singers and Songs in Film: On Music’s Adaptability Quentin Tarantino Temporality and the “EST” Principle Backward Path to the Beginnings in Hollywood The Academy Honorary Award The Beginnings in US Cinema A House in the United States? US Composers Terrence Malick The Interpreter Didn’t Help with John Carpenter Creativity and Constraints: The Double Aesthetics On Theater, the Musical, and Television The Betrothed Moses, the Lawgiver Marco Polo Secret of the Sahara The Octopus Pains and Experiments Roberto Faenza Nino Rota Difficult Relationships Joanou, Stone, and the Overtones Warren Beatty Pride and Repentance Fights and Arguments Beyond Cinema, Beyond Music
Chapter 4. Mystery and Craftsmanship
The Mystery of Creation What Is Music? Birth, Death, and Resurrection of Music In Search of Myself: How to Listen to Contemporary Music My Way A Dilated Present Studying Music Today? A Sophisticated Balance between the Predictable and the Unforeseeable Digressions Cinema’s Transformations Timbre, Sound, and Performers On Teaching High Productivity? A Healthy Mind in a Healthy Body
Chapter 5. An Absolute Music?
The Roots A Short Introduction to the “Absolute” Darmstadt: A Summer of Experiments Gruppo d’Improvvisazione Nuova Consonanza A Response to the Conflict of Times: Toward “Dynamic Immobility” Suoni per Dino Vidi Aquam. Id Est Benacum Musical Creationism versus Musical Evolutionism Gestazione Beliefs: The Origins of Life and the Universe Mystical Production Missa Papae Francisci The Ideal of Unity: Blend and Hope The Mission Voci dal silenzio and La voce dei sommersi Cantata per l’Europa and a Poem for Maria Exchanges, Form, and Linguistic Combinations UT The Four Concertos: Form and Non-form The Future of Music: Noise and Silence
Chapter 6. Looking Ahead: A Silent Nod toward the Future Chronological List of the Absolute Music Chronological List of the Applied Music Acknowledgments Notes Index
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