[Eastman Studies in Music 01] • The Music of Carl Philipp Emanuel Bach by Schulenberg, David -- Read -- Imperial Library of Trantor

Index

Cover Title Page Dedication Contents Preface Abbreviations Note about Online Supporting Material 1: Emanuel Bach in Context 2: A Student in Leipzig

Training

Keyboard Instruments and Technique Composition

3: Leipzig: First Works

Keyboard Music

Sonata Form

Trios

4: From Leipzig to Frankfurt (Oder) and Berlin

Instrumental Works at Frankfurt and Berlin

Cadenzas

Bach as Vocal Composer

Conceptions of Vocal Music The Early Vocal Works

5: Joining the Court: Bach at Berlin

A Keyboardist in an Operatic World Works at Berlin Renovation, Revision, and Variation

6: Bach's Works of the 1740s: Sonatas, Concertos, Trios

Sonatas Concertos

Bach's First Concertos Later Concertos

Trios at Berlin

7: Beyond the Court

The Magnificat and the Leipzig Succession Author and Publisher

The Versuch and the Probestücke Further Publishing Ventures

Music for the Clavichord?

Sonatas Fugues and Petites Pièces

8: Berlin and After: Songs and the New Aesthetic of Vocal Music

Aesthetics

Krause Musical "Painting" "Experiments" by Gerstenberg and Others

The Easter Music W. 244 Songs

The Gellert Songs Later Songs The Cramer Psalms The Sturm Songs

9: Leaving the Court: Music Mainly for Concerts

Later Trios Ensemble Sonatinas Later Concertos

Concertos at Berlin Concertos at Hamburg

Sinfonias

10: The Later Keyboard Music

Keyboard Trios and Quartets

Keyboard Trios Keyboard Quartets

For Connoisseurs and Music Lovers

Sonatas Rondos Fantasias

11: Church Piece and Oratorio at Hamburg

Bach as Church Musician Bach's Hamburg Vocal Works Church Piece and Oratorio

The Israelites Passions and the Passion Cantata

Inaugural Pieces and Other Works

12: Swan Songs

Klopstock's Morgengesang The Double-Chorus Heilig Other Choral Fugues New Harmonies The Resurrection Cantata

Notes Bibliography Index Copyright Related Titles