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Index
Cover
Title
Copyright
Contents
Preface
Acknowledgments
Chapter 1. Mobilizing White Power: Music, Culture, and Politics
The Rise of the Radical Right Post-9/11 and Beyond
From Popular Music to Hate Music (and Back Again)
Three Theories of Aesthetics, Culture, and Politics
Public Discourse, Aesthetic Experience, and Postsecular Solidarity
Inclusive Communication and Hybrid Democracy
Inverted Totalitarianism and Fugitive Democracy
Reimagining Aesthetics, Culture, and Politics
Revisiting Fascist Aesthetics and Aestheticized Politics
Trendy Fascism and White Power Music
Chapter 2. Playing with Hate: Racist Skinheads, Skrewdriver, and Liberal Tolerance
The Story of Ian Stuart Donaldson and His Bands
Analyzing Hate Music: Political Ideologies and Framing Devices
Inverting Classical Fascist Aesthetics: Global Hybrids and Cellular Networks
Inversion 1. Inside Out: White Supremacy as Global Hybrid
Inversion 2. Upside Down: White Supremacy as Cellular Network
Playing with Hate, Playing with Democracy
Closing
Chapter 3. Imagining a White Nation: Neo-Nazi Folk, Family Values, and Prussian Blue
The Story of Prussian Blue
Privileged Intersections and Intersecting Privileges
The Idealized Traditional (White) Family
1) Naturalized Hierarchies
2) Home(lands)
3) Blood Ties
4) Rights with Responsibilities
5) Socioeconomic Classes
6) Family Planning
Imagining White Community: The Pioneer Little Europe Prospectus
Closing
Chapter 4. Building a Church: Rahowa, Heavy Metal, and Racial Ecology
The Story of Creativity: From Ben Klassen to George Burdi and Rahowa
Creativity, Transnationalism, and Racial Religion
The Theo-Philosophy of Creativity
The Music Messages of Rahowa
Affect, Emotion, and Music
Closing
Chapter 5. Recycling White Trash: Aesthetics, Music, and Democracy
Mass Culture and White Trash
Mimetic Communication and Negative Exemplars
Aesthetic Reason and Musical Experience
Suffering Truth and Be(com)ing Sincere
Closing
Epilogue
Notes
Bibliography
Discography
Index
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