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Index
Part One Roots And Rituals: The Search For Identity
Some African Influences On The Afro-American Theatre
Neo-Africanisms In Afro-American Theatre
Africanisms In The Afro-American Theatre
Notes On Ritual In The New Black Theater
Two Afro-American Contributions To Dramatic Form
I
II
III
IV
V
The Aesthetic Of Modern Black Drama: From Mimesis To Methexis
I
II
III
America’s Debt To The Language Of Black Americans
Drama
Folktales
White Southern Speech
Slang
Music
Conclusion
An Origin For The Negro Spiritual
An Aesthetic Of The Cool: West African Dance
Part Two The Image Makers: Plays And Playwrights
Willis Richardson: Pioneer Playwright
Shuffle Along: Keynote Of The Harlem Renaissance
Langston Hughes As Playwright
Three Black Playwrights: Loften Mitchell, Ossie Davis, Douglas Turner Ward
I
II
III
IV
Mom, Dad And God: Values In Black Theater
I
II
III
IV
Structural Elements In Ed Bullins’ Plays
The Delicate World Of Reprobation: A Note On The Black Revolutionary Theatre
I
II
Part Three The Presenters: Companies Of Players
The Lafayette Players, 1915-1932
The Role Of Blacks In The Federal Theatre, 1935-1939
The American Negro Theatre
Black Theater In The South: Report And Reflections
Greater Impact Necessary
As Unique To Our People As Blues & Jazz
The Negro Ensemble Company: A Transcendent Vision
1967-1970
1970-1972
1973-1978
The National Black Theatre: The Sun People Of 125th Street
A Revival! Change! Love! Organize!
Part Four The Participators: Audiences And Critics
Into Nationalism, Out Of Parochialism
It’s A Long Way To St. Louis: Notes On The Audience For Black Drama
The Black Theatre Audience
Critics, Standards And Black Theatre
Black Critics On Black Theatre In America
Two Views By White Critics: (1) Must I Side With Blacks Or Whites?
Two Views By White Critics: (2) Enroute To The Future
Black Theater: The Search Goes On
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