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Index
Cover Half title Title Copyright Dedication Contents List of Illustrations Preface Introduction: Emergence of the Celluloid Maiden Section One: The Celluloid Princess
One: Death, Gratitude, and the Squaw Man’s Wife: The Celluloid Princess from 1908 to 1931 Two: White-Painted Lady: The 1950s Celluloid Princess
Section Two: The Sexualized Maiden
Three: What Lies Beneath the Surface: The Sexualized Maiden of the 1940s Four: The Only Good Indian Is a Dead Indian: The Sexualized Maiden of the 1950s and 1960s
Section Three: The Hybrid Celluloid Maiden
Five: Free Love and Violence: “Going Native” with the Celluloid Maiden in the 1970s Six: Ghosts and Vanishing Indian Women: Death of the Celluloid Maiden in the 1990s
Conclusion: Into the Twenty-first Century Filmography Notes Works Cited Index
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