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Imperial Library
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Index
Cover
Half Title
Dedication
By the Same Author
Title Page
Contents
Epigraph
Introduction
Part 1: Why Read?
Literary Life
Total Entertainment All the Time
Cool School
The World According to Falwell
Final Narratives
Circles
For Ignorance
Down the Hall
Foucault, Industrial Strength
Interpretation
Good at School
Truth
Wordsworth’s Truth
Identification
Gender and Identification
But Shakespeare?
Hamlet
Good Medicine?
Disciples
Exemplars
Orwell’s Dickens
Influence
Proust
Form and Feeling
Disciplines
History Now
Always Historicize?
Canons
Multiculturalism
Pop
Democracy and Faith
Part 2: Why Write?
Why Write?
Getting Started
To Catch a Dream
To Do It Every Day
The New Writer
To Have Written
To Get the Girl / To Get the Guy
To Make Some Money
To Get Even
To Strengthen the Mind
To Grow
To Fail
To Change the World
Hitting your Stride: Perils and Pleasures / Pleasures and Perils
Perils and Pleasures
To Drink
To Get Reviewed
To Learn to Be Alone
To Read as a Writer
To Do Something
To Hold Your Peace
Pleasures and Perils
To Learn Something
To Stay Sane
To See What Happens Next
To Find Your Medium
To Skip Writing the Great American Novel
To Find Beauty and Truth
The Writer’s Wisdom
To Mine a Fresh Experience
To Beat the Clock (A Little)
To Stop Revising
To Remember
To Get Better as You Get Older
To Draw a Constellation
To Have the Last Word
Part 3: Why Teach?
Introduction
The Shift
Liberal Arts & Lite Entertainment (1997)
Dwelling in Possibilities (2008)
Fellow Students
Who Are You and What Are You Doing Here?
Do Sports Build Character?
Glorious Failure
The Globalists
The Corporate City and the Scholarly Enclave
The English Major
My First Intellectual
The Pink Floyd Night School
Fellow Teachers
A Word to the New Humanities Professor
Against Readings
Narcissus Regards His Book/The Common Reader Now
The Uncoolness of Good Teachers
Teaching the Truths
Under the Sign of Satan: Blake in the Corporate University
2
3
4
5
6
A Note on the Author
Praise for Why Read?
Praise for Why Write?
Praise for Why Teach?
Copyright
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