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Index
Cover-Page Half-Title Title Contents List of Illustrations
The “only words against POWER SUPERPOWER” Passage in John Dos Passos’ The Big Money The Paintings of John Dos Passos
Preface Editorial Note and Acknowledgments The Early 1920s: Constructing a Style
Introduction to Three Soldiers Dos Passos’s Rosinante to the Road Again and the Modernist Expatriate Imagination John Dos Passos in the 1920s: The Development of a Modernist Style
Works cited
U.S.A.: Th e Style Perfected
U. S. A. The Camera Eye in U.S.A.: The Sexual Center
I II III IV
The “only words against POWER SUPERPOWER” Passage in John Dos Passos’ The Big Money The Sexual Geography of Expatriate Paris
The 1920s and Beyond: Friendships and Art
The Hemingway-Dos Passos Relationship The Paintings of John Dos Passos
Index Plates Copyright
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