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Index
Cover Title Copyright Contents Foreword by Arthur Erickson Preface Acknowledgments Part I The Early Years, 1885–1918
Colour Plates in Part 1 (Plates 1–11) 1 Silver Spoon in Southern Ontario 2 Modernist Berlin and the Middle East, 1904–1908 3 The First Canadian Decade of a Would-Be Modernist, 1908–18: Nationalist Rhetoric, Decorative Painting and a Nervous Breakdown
Part II Harris’s Major Landscape Period, 1918–30
Colour Plates in Part II (Plates 12–35) 4 Breakdown Cured: Mysticism, Theosophy and Canadian Nationalism 5 Harris’s Major Writings on Art, Mysticism and Nationalism, 1918–30 6 Realism and the City without the Spirit: Harris’s Urban Landscapes 7 Wilderness Landscapes and the Regionalist Tradition I: The Algoma Paintings, 1918–21 8 Wilderness Landscapes and the Regionalist Tradition II: The North Shore of Lake Superior 9 Wilderness Landscapes and the Regionalist Tradition III: The Rockies and the Arctic – A New Personal Crisis
Part III An Expatriate Painter of Abstractions, 1934–40
Colour Plates in Part III (Plates 36–43) 10 Out of the Toronto Chrysalis, 1933–34 11 Spreading His Wings, 1934–38: Early Abstract Paintings in Hanover 12 Soaring, 1938–40: With the Transcendental Painting Group in Santa Fe
Part IV From Artistic Politics to Mystery, 1940–70
Colour Plates in Part IV (Plates 44–71) 13 Celebrity Landing in Vancouver, 1940–47: The Federation of Canadian Artists and a New Nationalism 14 Out of Certitudes into Light, 1947–70
An Afterword Notes Photo Credits Index
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