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Index
Cover
Title Page
Copyright
Dedication
Contents
Acknowledgments
Introduction
Part I. Alternative Institutions
1 Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company
2 The Rise of the Accursed: When Bresson Was Copresident of an Avant-Garde Ciné-Club
Part II. Vanguard Forms
3 Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in “Ignace de Loyola” (1948) and Journal d’un curé de campagne (1951)
4 Theorizing the Image: Bresson’s Challenge to the Realists—Sparse Set Design, Acting, and Photography from Les anges du péché (1943) to Une femme douce (1969)
5 Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities—Plot Structure and Editing from Journal d’un curé de campagne (1951) to L’argent (1983)
Afterword
Selected Bibliography
Index
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