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Index
Cover
Title Page
Copyright
Contents
Foreword
Acknowledgments
Introduction: A Body Comparable
Considering the Body as Archive
I. Bodied Knowing
Everyone Has Something to Tell
Stalking Embodied Knowledge—Then What?
The Sensing and Knowing Body: Choreographing Action and Feeling
Use Me
A Body-Mind Centering® Approach to Movement through Embodiment
Pleasure
Slow
II. Memory, History, and Retrieval
Memory Has Its Way with Me
The Body Makes You Remember
Touching History
My Discovery of Dance
We Dance What We Remember: Memory in Perceiving and Performing Contemporary Dance
The Stories in Our Bodies
III. THe Body in the Archive
& We Should Live and Be Well: Five Artist Statements, 1995–2007
The Embodied Performance of Museum Visiting: Sacred Temples or Theaters of Memory?
Sideways Glances: Painting and Dancing
Leap Before You Look: Honoring the Libretto in Giselle and Apollo
Body as Signifier
IV. Performing the Archive
Untitled
My Body, the Archive
Choreographing Somatic Memories and Spatial Residues
Tremulous Histories
Exit/Exist—Embodiment
V. Afterlives and Transformations
Pavilion of Secrets
Archiving Indeterminate Systems of Ecosystems and Improvisational Dance Strategies
Them: Recombinant Aesthetics of Restaging Experimental Performance
New Bodies, New Architecture
Choreographic Angelology
Contributors
Index
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