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Index
Title Page Copyright Contents Foreword Acknowledgements How to Use this Book Introduction Part One: Digging up the Suspense
1. Suspense 2. The Triad of Secrets 3. Suspense Models
Part Two: Learning the Visual Language
4. Writing a Visual Sentence 5. Syntax of Eyes, Hands & Feet 6. Camera as a Musical Instrument
Part Three: The Director Game
7. Awakening the Storyteller 8. Personified Shooting & Editing 9. Lure Them with a Hitchcockian Opening
Part Four: The Sound of Suspense
10. Building a Soundscape 11. The Role of Music in Suspense 12. Inner Thoughts Aloud
Part Five: Sharpen the Clarity
13. Carving a Clear Path of Audience Belief 14. Clarity with Tension & Laughs 15. Suspense Objects 16. MacGuffin: The Side Effect of Suspense
Part Six: Playing with Space
17. Locations that Push Story 18. High Shots 19. Building the Danger Off-Screen 20. Characters that Catch Us Looking
Part Seven: Q&A with Film Practitioners
21. “Bourne Identity” Editor Saar Klein 22. “10 Cloverfield Lane” Director Dan Trachtenberg 23. “Detour” Director William Dickerson 24. “Captain Phillips” Director Paul Greengrass
Making a Lasting Impact Bibliography Appendixes
I. Hitchcock at a Glance II. The “Hitch 20”
About the Author
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