Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Title Page
Copyright
Contents
Foreword
Acknowledgements
How to Use this Book
Introduction
Part One: Digging up the Suspense
1. Suspense
2. The Triad of Secrets
3. Suspense Models
Part Two: Learning the Visual Language
4. Writing a Visual Sentence
5. Syntax of Eyes, Hands & Feet
6. Camera as a Musical Instrument
Part Three: The Director Game
7. Awakening the Storyteller
8. Personified Shooting & Editing
9. Lure Them with a Hitchcockian Opening
Part Four: The Sound of Suspense
10. Building a Soundscape
11. The Role of Music in Suspense
12. Inner Thoughts Aloud
Part Five: Sharpen the Clarity
13. Carving a Clear Path of Audience Belief
14. Clarity with Tension & Laughs
15. Suspense Objects
16. MacGuffin: The Side Effect of Suspense
Part Six: Playing with Space
17. Locations that Push Story
18. High Shots
19. Building the Danger Off-Screen
20. Characters that Catch Us Looking
Part Seven: Q&A with Film Practitioners
21. “Bourne Identity” Editor Saar Klein
22. “10 Cloverfield Lane” Director Dan Trachtenberg
23. “Detour” Director William Dickerson
24. “Captain Phillips” Director Paul Greengrass
Making a Lasting Impact
Bibliography
Appendixes
I. Hitchcock at a Glance
II. The “Hitch 20”
About the Author
← Prev
Back
Next →
← Prev
Back
Next →