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Index
Cover
Half Title
Title Page
Copyright
Contents
Acknowledgements
1 Introduction: The Problem of Cinema
Transcendental Empiricism and the ‘Cahiers Axiom’
The Monotony of Difference
2 The Interval as Disaster
Terminus, or, Waiting for a Train
(Film) History as Montage
Cinema as an Anterior History of Violence
3 Movement, Duration and Difference
The Three Theses on Movement
The Temporalisation of Difference
How to Escape the Dialectic
4 What Use is Cinema to Deleuze?
The Necessary Illusions of Practical Life
A Materialist Practice of Metaphysics
Transcendental Empiricism as Cinematic Philosophy
5 Genesis and Deduction
Cinematic Being
Weak Reasoning, Perversity and Grasping at Threads
From ‘Primitive’ Cinema to Real Movement
6 The Thought of the World
Cinematic Aberration and the ‘Great Kantian Reversal’ The Classical Cinema as Totalisation
Cinema as ‘Art of the Masses’
7 The Night, the Rain
Film, Death (the ‘Reverse Proof’)
The Suspension of the World
‘The Image, the Remains’
8 Conclusion: The Crystal-Image of Philosophy
References
Index
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