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Index
Cover
Title
Copyright
Contents
Series Foreword
Foreword by Claudia Gorbman
Acknowledgments
Introduction: The “Problem” of Music in Television
PART I. Practices and Theories of Television Music
1. A Discipline Emerges: Reading Writing about Listening to Television
2. “Coperettas,” “Detecterns,” and Space Operas: Music and Genre Hybridization in American Television
3. Television Music and the History of Television Sound
4. Rural Music on American Television, 1948–2010
5. Music in the Golden Age of Television News Documentaries at NBC
PART 2. Case Studies in Television Music
6. “Bad Wolf”: Leitmotif in Doctor Who (2005)
7. From Punk to the Musical: South Park, Music, and the Cartoon Format
8. It’s What’s Happening, Baby! Television Music and the Politics of the War on Poverty
9. Channeling Glenn Gould: Masculinities in Television and New Hollywood
10. “The Rock Man’s Burden”: Consuming Canada at Live 8
Appendix. Generation X, South Park, and Television Music CompositionAn Interview with Adam Berry Conducted by Sean Nye
Notes on Contributors
Index
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