Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Table of Contents
List of Illustrations
List of Boxes
Preface
Introduction
Palamon and Arcite was Performed with the Queen Herself Present on the Stage
The Upstart Crow
1 The Early Years
Stratford and Staging Practices
Princely Pleasures at Kenilworth
Mystery Cycles and Trade Guilds
Competing Authorities
Straws in the Wind
A System of Protection and Control
2 Possible Beginnings
Shakespeare and the Queen’s Men’s Theory
Tarlton
Shakespeare and Alexander Hoghton’s Will
3 Shakespeare on the Record and the Stages of 1594
Plague
Duopoly
Shakespeare in the Records
Four Playing Places
The Theatre
Burbage
Motley
The Cross Keys Inn
Greenwich Palace
Gray’s Inn
4 The Chamberlain’s / King’s Men and their Organization
Sharers
Hired Men (and Women)
Hired Men as Actors
Gatherers
Tirewomen
Tiremen
Musicians
Book‐keepers
Stage‐keepers
Apprentices
Conclusions
5 A Stormy Passage, from the Theatre, via the Curtain, to the Globe
2 The Seven Deadly Sins
The Stories
Commentary
“Those Playhouses … Shall be Plucked Down”
6 “The Great Globe Itself”
The Galleries
Lords’ Rooms
Stage Directions
Playhouse of the Spoken Word
Robert Armin
The War of the Theatres
7 A New Reign
A Royal Master
Little Eyases and The Malcontent
8 The Blackfriars
“Your Master’s Worship House, here, in the Friars”
The New Repertoire
Descent Machinery
Jonson and Shakespeare in the New House
Appendix Chamberlain’s/King’s Men’s Plays 1594–1614, Other than by Shakespeare
Extant Texts, with Dates of Performance and Publication, and Probable Playhouse of First Performance
Anon
Non‐Extant or Unidentified Plays Associated with the Company
Bibliography
Primary Material from the Sixteenth and Seventeenth Centuries
Secondary Material
Index
End User License Agreement
← Prev
Back
Next →
← Prev
Back
Next →