Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Contents
Acknowledgements
Map
Introduction
Welcome
Where Does Palestine Begin?
The Gaza Suite: Gaza
Jerusalem
Draw Your Own Conclusions
Three Encounters on the West Bank
Three ladies from Old Askar Camp
The Girl from Jaffa
A Boy
Through the Looking-Glass
Sleeping in Gaza
Once Upon a Jerusalem
Permission to Enter
Privatising Allenby
Allenby Border Crossing
Qalandia
After Ten Years
Diary
Jerusalem, 7 May 2008
Ramallah, 8 May 2008
Bethlehem, 9 May 2008
Bethlehem, 10 May 2008
Jerusalem, 11 May 2008
Amman, 12 May 2008
Endings . . .
India and Israel: An Ideological Convergence
In the Company of Writers
The Gaza Suite: Jabaliya
Letters from Gaza
Gaza, from Cairo
Gaza, from the Diaspora – Part One
Darkening the Dramaturgy
This Poem Will Not End Apartheid
An Image
Poetry and Protest
Cold Violence
The City of David
The Writer’s Job
Gaza, from the Diaspora – Part Two
Equality, Supremacy and Security
A Gift for PalFest
Silence Is a Language
Drawing PalFest
The Personal Is Political
All Art Is Political
Diary
Until It Isn’t
Sight
The End of Apartheid
What We Witnessed
Stories from the Armenian Quarter
A Scramble of Authors
Bethlehem
Crucifixion
Pakistan/Palestine
Mohammed in Jerusalem
Pakistan in Ramla
Peace Is Coming
How to Exile the Prophet of Prophets
A Country Run by Teenagers
Palestine’s Pakistan Problem
Hebron
The Stranglehold
Gaza City, April 2016
Apology for being alive
The Sound of a Festival
South Africa and Israel: A Familiar Geography
the gaza suite: rafah
Shujaiyya Dust
Gaza
A Decade of Writers’ Walks
Let Your Lives Speak
A Bus Stop in London
The Scattering
How To Survive Exile
What We Talk About When We Talk About Palestine
The Gaza Suite: Tel El Hawa
Exit Strategy
The Gaza Suite: Zeitoun
The End of Art Is Peace
Author Biographies
Credits
Copyright Page
← Prev
Back
Next →
← Prev
Back
Next →