Modern British Playwriting · The 1990s by Sierz, Aleks -- Read -- Imperial Library of Trantor

Index

Cover Page Title Page Contents General Preface Acknowledgements Introduction: Living in the 1990s

Background Everyday life Education Media Culture Science, technology and industry Politics

1 Theatre in the 1990s

Background Heritage, culture and the Arts Council Flagship theatres: West End, National and RSC Off-West End and companies New writing Experimental, fringe and live art Outside London: England, Scotland, Wales and Northern Ireland Conclusion

2 Playwrights and Plays

Philip Ridley by Aleks Sierz

Introduction The Pitchfork Disney The Fastest Clock in the Universe Ghost from a Perfect Place Conclusion

Sarah Kane by Catherine Rees

Introduction Blasted Cleansed 4.48 Psychosis Conclusion

Anthony Neilson by Trish Reid

Introduction Normal Penetrator The Censor Conclusion

Mark Ravenhill by Graham Saunders

Introduction Shopping and Fucking Some Explicit Polaroids Mother Clap’s Molly House Conclusion

3 Documents

Philip Ridley: Vesper – a Monologue Sarah Kane: Interview with Dan Rebellato Anthony Neilson: In His Own Words Mark Ravenhill: ‘A Tear in the Fabric’

Afterword

Select Bibliography Notes Notes on Contributors

About the Author Imprint

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