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Index
Cover
Title Page
Copyright
Dedication
Contents
Acknowledgments
Permissions and Credits
Preface
Part I - Essays
Liszt, Italy, and the Republic: of the Imagination: Anna Harwell Celenza
Heine, Liszt, and the Song of the Future: Susan Youens
The Battle Against Instrumental Virtuosityx: in the Early Nineteenth Century: Dana Gooley
Prophet and Populace in Liszt’s: “Beethoven” Cantatas: Ryan Minor
“Just Two Words. Enormous Success” Liszt’s 1838 Vienna Concerts: Christopher H. Gibbs
Liszt, Wagner, and Unfolding Form: Orpheus and the Genesis of Tristan und Isolde: Rainer Kleinertz
Publishing Paraphrases and Creating Collectors: Friedrich Hofmeister, Franz Liszt, and the Technology of Popularity: James Deaville
Part II - Biographical Documents
Liszt on the Artist in Society: Introduced and Translated by Ralph P. Locke
The First Biography: Joseph d’Ortigue on Franz Liszt at Age Twenty-Three: Introduced and Edited by Benjamin Walton Translated by Vincent Giroud
Ludwig Rellstab’s Biographical Sketch of Liszt: Introduced and Translated by Allan Keiler
From the Biographer’s Workshop: Lina Ramann’s Questionnaires to Liszt: Introduced and Annotated: By Rena Charnin Mueller: Translated by Susan Hohl
Part III - Criticism and Reception
Fétis’s Review of the Transcendental Etudes: Introduced and Translated by Peter Bloom
Heinrich Heine on Liszt: Selected and Introduced by Rainer Kleinertz Translated by Susan Gillespie
“Even His Critics Must Concede”: Press Accounts of Liszt at the Bonn Beethoven Festival
Defending Liszt: Felix Draeseke on the Symphonic Poems: Introduced and Edited by James Deaville Translated by Susan Hohl
Part IV - Reflections on Franz Liszt
A Mirror to the Nineteenth Century: Reflections on Franz Liszt: Leon Botstein
Index
Notes on the Contributors
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