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Index
Front Cover Photographic Possibilities: The Expressive Use of Ideas, Materials, and Processes Copyright Page Contents Preface Chapter 1. Why We Make Photographs: Ideas and History That Affect Photographic Printmaking
The Language of Photography Early Printmaking Modifications Modern Approaches in Printmaking Having a Sense of History Roles Photography Can Play Questions Additional Information
Chapter 2. Safety
Basic Safety Procedures Contact Allergies and Chemical Sensitivities Disposing of Chemistry Protecting Yourself and Your Computer Additional Information
Chapter 3. Special-Use Films and Processing
Film and the Photographer General Working Procedures for Film Processing Kodak High Speed Infrared Film 2481 and 4143 Extended Red Sensitivity Film: Ilford SFX 200 Kodak Recording Film Additional Methods to Heighten Grain and Contrast Kodak Technical Pan Roll Films Ilford PAN F PLUS Ultra-Fine Grain B/W Film Kodak Professional B/W Duplicating Film SO-132 High-Contrast Litho Films Other Graphic Arts Films High-Speed Films: Kodak T-MAX P3200 and Ilford Delta 3200 Professional Paper Negatives and Positives Reversing Black-and-White Film Film for Classic Cameras Processing Black-and-White Film for Permanence Polaroid Instant Films Additional Information
Chapter 4. Formulas of Your Own
Prepared Formulas versus Mixing Your Own Basic Equipment Chemicals Preparing Formulas Additional Information
Chapter 5. Black-and-White Film Developers
What Happens to Silver-Based Films during Exposure and Processing? Image Characteristics of Film Components and Characteristics of Black-and-White Developers Liquid versus Powder Chemistry Basic Developer Types Postdevelopment Processes Film Developer Formulas and Their Applications Why Bother? Additional Information
Chapter 6. Analog Printmaking: Equipment, Materials, and Processes
The Analog Printmaking Process Printing Equipment Standard Printing Materials Special Printing Materials Processing Prints for Permanence Additional Information
Chapter 7. Black-and-White Paper Developers
Paper versus Film Developers Components of Black-and-White Silver Print Developers Other Processing Factors Controlling Contrast during Development Matching Developer and Paper Developer Applications and Characteristics Other Paper Developer Formulas Additional Information
Chapter 8. Toning for Visual Effects
Processing Controls Basic Types of Toners Processing Prints to Be Toned General Working Procedures for Toners Brown Toners Blue Toners Red Toners Green Toners Toning Variations Additional Information
Chapter 9. Special Cameras and Equipment
What Is a Camera? Toy Cameras: the Diana and the Holga The Pinhole Camera Disposable Cameras Expanding the Angle of View Panoramic Cameras Sequence Cameras Special-Use Cameras Stereoscopic Photography Stroboscopic Photography Underwater Equipment and Protection
Chapter 10. An Introduction to Some Widely Used Alternative Processes
About Paper Cyanotype Process Kallitype and Vandyke Brownprint Processes Platinum and Palladium Processes Gum Bichromate Process Electrostatic Processes: Copy Machines Additional Information
Chapter 11. Altering Photographic Concepts: Expansion of the Lexicon
Hand-Altered Work Photograms Cliché-Verre Extended Camera Exposures Postcamera Techniques: In Search of Lost Time Multiple-Exposure Methods Fabrication: Making Things Happen for the Camera Composite Variations Processing Manipulation: Reticulation Hand-Coloring Airbrushing Transfers and Stencils
Chapter 12. Photography and Computers
What Is a Digital Computer? What Is a Digital Image? A Brief History of Digital Images: 1960 to 1998 Why the Computer? Digital Ethics and Copyright Creating Digital Images Color Conversion/Color Matching Memory Software Major File Types Storage Media Digital Possibilities: Computer as Multimedia Platform Hypertext and the World Wide Web The End of the Wet Darkroom? Additional Information
Chapter 13. Digital Input and Output
What Is Digital Imaging? Input and Output Output Devices: Presenting the Digital Image Combining Digital and Traditional Techniques The Future of Digital Imagemaking and the Expressive Imagemaker Additional Information
Index Color Plate Section
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