Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover Page
Title Page
Copyright
Contents
Introduction
Methods of knowledge creation: Puppet shows
Conclusion
References
Texts and Complexities
Chapter 1: Pain proxies, migraine and invisible disability in Renée French’s H Day
Invisible disability and wordlessness
Doublings
Migraineur’s best friend
References
Notes
Chapter 2: At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre’s and East West Players’ adaptations of Pippin
Introduction
The intersection of Deaf and Asian American discourses
A new ‘corner of the sky’: (Re)reading Deaf West’s and East West’s Pippin
Deaf West Theatre’s Pippin
East West Players’ Pippin
‘Revolution!’: Confronting the generation gap(s)
The grande finale
References
Note
Chapter 3: The blind gaze: Visual impairment and haptic filmmaking in João Júlio Antunes’ O jogo/The Game (2010)
References
Notes
Chapter 4: What are you looking at?: Staring down notions of the disabled body in dance
Heidi Latsky and the unexpected dancing body
Five Open Mouths
References
Notes
Discourse Analysis: Cultures and Difference
Chapter 5: Troubling images? The re-presentation of disabled womanhood: Britain’s Missing Top Model
Introduction
Britain’s Missing Top Model and possibilities for representational change
Modelling tasks – The importance of impairment
Impairment and real disabled women, social relationships and the judgement of disabled models
Conclusion
References
Notes
Chapter 6: Representations of disability in Turkish television health shows: Neo-liberal articulations of family, religion and the medical approach
Introduction
Sketching the shows
Methodology
Theoretical approach
Representations of disability in Turkish health shows
Family and motherhood: ‘I sacrificed everything for Emir … now, I am a housewife’
Disability and religion: ‘Doctors will be of some use if my God allows them to do so’
A persistent medical approach: ‘We will make him walk, just like he does in his dreams’
Conclusion
References
Notes
Chapter 7: The portrayal of people with disabilities in Moroccan proverbs and jokes
Introduction
Method and procedure
Literature review
The portrayal of people with disabilities in proverbs
The portrayal of people with disabilities in jokes
Research findings
Discussion
Conclusion
References
People’s Voices: Qualitative Methods
Chapter 8: From awww to awe factor: UK audience meaning-making of the 2012 Paralympics as mediated spectacle
Introduction
Literature review
Methodology
Analysis and discussion
Conclusion
References
Notes
Chapter 9: Disability in television crime drama: Transgression and access
Disability in television crime drama
Disability, culture and television
Television access
Disability and the crime genre
Blogger analysis
‘Disabled’: The victim of crime
The survey: Disability on television – access and representation
Conclusion: Access and representation
Acknowledgements
References
Chapter 10: ‘It’s really scared of disability’: Disabled comedians’ perspectives of the British television comedy industry
Television and disability in context
On the importance of television comedy and disability
Methodology
Institutional dynamics of the television comedy industry
Limits of current portrayals of disability in television comedy
Conclusions
Acknowledgements
References
Notes
Ethnographic Approaches: Project Reports
Chapter 11: Re-voicing: Community choir participation as a medium for identity formation amongst people with learning disabilities
Introduction
Background
Choral singing, identity and disability
Methodology
Becoming ‘a choir’: Fostering a hospitable space and a participatory culture
‘Being yourself’: The presentation of self and the value of self-confidence
Conclusion
Acknowledgements
References
Note
Chapter 12: Dancing as a wolf: Art-based understanding of autistic spectrum condition
Participants and ethics
Finding a research language
Sensed experience of arts in autism and neural typical perception
Multimodal and intermodal processes
Embodied interpretation tanka poems
My own experiential process
Conclusion
References
Note
Chapter 13: Disabling ability in dance: Intercultural dramaturgies of the Thikwa plus Junkan Project
Pre-context as three encounters
Disabled dance4
Intercultural dialogues
From outsider art to Able Art Onstage
Positioning the Thikwa plus Junkan Project for a balance of power
Acknowledgements
References
Notes
Chapter 14: Swimming with the Salamander: A community eco-performance project
The Salamander Project: Disability culture
The Salamander Project: Open pool writings
Conclusion: Why writing?
References
Notes
Notes on Contributors
← Prev
Back
Next →
← Prev
Back
Next →