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Index
Cover Page Title Page Copyright Contents Introduction
Methods of knowledge creation: Puppet shows Conclusion References
Texts and Complexities
Chapter 1: Pain proxies, migraine and invisible disability in Renée French’s H Day
Invisible disability and wordlessness Doublings Migraineur’s best friend References Notes
Chapter 2: At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre’s and East West Players’ adaptations of Pippin
Introduction The intersection of Deaf and Asian American discourses A new ‘corner of the sky’: (Re)reading Deaf West’s and East West’s Pippin Deaf West Theatre’s Pippin East West Players’ Pippin ‘Revolution!’: Confronting the generation gap(s) The grande finale References Note
Chapter 3: The blind gaze: Visual impairment and haptic filmmaking in João Júlio Antunes’ O jogo/The Game (2010)
References Notes
Chapter 4: What are you looking at?: Staring down notions of the disabled body in dance
Heidi Latsky and the unexpected dancing body Five Open Mouths References Notes
Discourse Analysis: Cultures and Difference
Chapter 5: Troubling images? The re-presentation of disabled womanhood: Britain’s Missing Top Model
Introduction Britain’s Missing Top Model and possibilities for representational change Modelling tasks – The importance of impairment Impairment and real disabled women, social relationships and the judgement of disabled models Conclusion References Notes
Chapter 6: Representations of disability in Turkish television health shows: Neo-liberal articulations of family, religion and the medical approach
Introduction Sketching the shows Methodology Theoretical approach Representations of disability in Turkish health shows Family and motherhood: ‘I sacrificed everything for Emir … now, I am a housewife’ Disability and religion: ‘Doctors will be of some use if my God allows them to do so’ A persistent medical approach: ‘We will make him walk, just like he does in his dreams’ Conclusion References Notes
Chapter 7: The portrayal of people with disabilities in Moroccan proverbs and jokes
Introduction Method and procedure Literature review The portrayal of people with disabilities in proverbs The portrayal of people with disabilities in jokes Research findings Discussion Conclusion References
People’s Voices: Qualitative Methods
Chapter 8: From awww to awe factor: UK audience meaning-making of the 2012 Paralympics as mediated spectacle
Introduction Literature review Methodology Analysis and discussion Conclusion References Notes
Chapter 9: Disability in television crime drama: Transgression and access
Disability in television crime drama Disability, culture and television Television access Disability and the crime genre Blogger analysis ‘Disabled’: The victim of crime The survey: Disability on television – access and representation Conclusion: Access and representation Acknowledgements References
Chapter 10: ‘It’s really scared of disability’: Disabled comedians’ perspectives of the British television comedy industry
Television and disability in context On the importance of television comedy and disability Methodology Institutional dynamics of the television comedy industry Limits of current portrayals of disability in television comedy Conclusions Acknowledgements References Notes
Ethnographic Approaches: Project Reports
Chapter 11: Re-voicing: Community choir participation as a medium for identity formation amongst people with learning disabilities
Introduction Background Choral singing, identity and disability Methodology Becoming ‘a choir’: Fostering a hospitable space and a participatory culture ‘Being yourself’: The presentation of self and the value of self-confidence Conclusion Acknowledgements References Note
Chapter 12: Dancing as a wolf: Art-based understanding of autistic spectrum condition
Participants and ethics Finding a research language Sensed experience of arts in autism and neural typical perception Multimodal and intermodal processes Embodied interpretation tanka poems My own experiential process Conclusion References Note
Chapter 13: Disabling ability in dance: Intercultural dramaturgies of the Thikwa plus Junkan Project
Pre-context as three encounters Disabled dance4 Intercultural dialogues From outsider art to Able Art Onstage Positioning the Thikwa plus Junkan Project for a balance of power Acknowledgements References Notes
Chapter 14: Swimming with the Salamander: A community eco-performance project
The Salamander Project: Disability culture The Salamander Project: Open pool writings Conclusion: Why writing? References Notes
Notes on Contributors
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