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Index
Cover Half-title Title Page Copyright Contents Acknowledgements Introduction: Composed Theatre in Context PART I: History and Methodology Chapter 1: Composed Theatre: Mapping the Field Matthias Rebstock Chapter 2: Composition and Theatre Roland Quitt Chapter 3: ‘Happy New Ears’: Creating Hearing and the Hearable Petra Maria Meyer PART II: Processes and Practices: Work Reports and Reflections Chapter 4: ‘It's all part of one concern’: A ‘Keynote’ to Composition as Staging Chapter 5: ‘Theatre in small quantities’: On Composition for Speech, Sounds and Objects Michael Hirsch Chapter 6: … To Gather Together What Exists in a Dispersed State … Chapter 7: From Interdisciplinary Improvisation to Integrative Composition: Working Processes at the Theater der Klänge Chapter 8: ‘Let's stop talking about it and just do it!’: Improvisation as the Beginning of the Compositional Process Chapter 9: Hearing Voices - Transcriptions of the Phonogram of a Schizophrenic: Music-theatre for Performer and Audio-visual Media Chapter 10: Composing Theatre on a Diagonal: Metaxi ALogon, a Music-centric Performance PART III: Processes and Practices: Portraits and Analyses Chapter 11: ‘Ça devient du théâtre, mais ça vient de la musique’: The Music Theatre of Georges Aperghis Chapter 12: Musical Conquest and Settlement: On Ruedi Häusermann's Theatre Work(s) Chapter 13: Composing with Raw Materials: Daniel Ott's Music-theatre Portraits and Landscapes Chapter 14: Permanent Quest: The Processional Theatre of Manos Tsangaris PART IV: Discussion and Debate Chapter 15: Composed Theatre - Discussion and Debate: On Terminology, Planning and Intuition, Concepts and Processes, Self-reflexivity and Communication PART V: Discourse and Analysis Chapter 16: ‘It is not about labelling, it's about understanding what we do’: Composed Theatre as Discourse Contributors
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