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Index
Acknowledgements
Chapter One: Merging Abstraction with Images
Chapter Two: A Subtle Progression of Hues
Chapter Three: Disclosed Canvas Affinities
Chapter Four: Precedents and Influences
Chapter Five: Illusion of Abstract
Chapter Six: Combined Precision
Chapter Seven: Defining the Spatial Structure
Chapter Eight: A Masterful Stain
Chapter Nine: Symphony of Color
Chapter Ten: Esthetically Aligned
Chapter Eleven: Sensual and Deeply Expressive
Chapter Twelve: Overt Recognizable Imagery
Chapter Thirteen: Colored Webs of Lines
Chapter Fourteen: A Pure Definable Interpretation
Chapter Fifteen: Multi-Colored and Asymmetrical
Chapter Sixteen: Mainstream of Influences
Chapter Seventeen: Tragedy, Ecstasy and Discovery
Chapter Eighteen: Cool and Austere
Chapter Nineteen: Sharp Surface Contrast
Chapter Twenty: Dripped, Poured and Vigorously Painted
Chapter Twenty-One: A Series of Zips
Chapter Twenty-Two: Vivid and Intense
Chapter Twenty-Three: The Language of Color
Chapter Twenty-Four: Lyrical Abstraction
Chapter Twenty-Five: Hard-Edged Painting
Chapter Twenty-Six: Mixed and Diluted
Chapter Twenty-Seven: Vertical and Varying Widths
Chapter Twenty-Eight: Suspended in the Trapped Light; Opalescent
Chapter Twenty-Nine: Vague Linear Spots
Chapter Thirty: Rolled On, Poured On, Thrown On
Chapter Thirty-One: Raw and Unprimed Canvas
Chapter Thirty-Two: Linear Perspective
Chapter Thirty-Three: Abstract Expressionism
Chapter Thirty-Four: Crumpled Canvases
Chapter Thirty-Five: The Chiaroscuro and Sfumato Effect
Chapter Thirty-Six: Proper Proportion and Dramatic Demonstration
Chapter Thirty-Seven: Color Field Painting
Chapter Thirty-Eight: Combinations of Curved and Straight Lines
Chapter Thirty-Nine: Color Pure and Bright
Chapter Forty: A Stippled Surface
Chapter Forty-One: Jagged Flashes of Light
Chapter Forty-Two: Mathematically Composed and Principled
Natanya’s Notes
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