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Index
Cover Page
Title Page
Copyright Page
Hitchcock
Illustrations
Notes on Contributors
Acknowledgments
Hitchcock Chronology
Introduction
Part I: Authorship and Aesthetics
Chapter 1
Hitch: A Tale of Two Cities London and Los Angeles
Chapter 2: Hitchcock and Humor
Chapter 3: Doubles and Doubts in Hitchcock
The German Connection
Chapter 4: The Object and the Face
Notorious, Bergman and the Close-up
Chapter 5: Unknown Hitchcock
The Unrealized Projects
Part II: French Hitchcock
Chapter 6: To Catch a Liar
Bazin,Chabrol, and Truffaut Encounter Hitchcock
Chapter 7: Hitchcock the First Forty-Four Films
Chabrol and Rohmer’s “Politique des Auteurs”
Chapter 8: Hitchcock with Deleuze
Part III: Poetics and Politics of Identity
Chapter 9: Music and Identity
The Struggle for Harmony in Vertigo
Chapter 10: The Silence of the Birds
Sound Aesthetics and Public Space in Later Hitchcock
Chapter 11: The Master, the Maniac, and Frenzy
Hitchcock’s Legacy of Horror
Chapter 12: Hitchcock’s Ireland
The Performance of Irish Identity in Juno and the Paycock and Under Capricorn
Chapter 13: Hitchcock and Hom(m)osexuality
Part IV: Death and Transfiguration
Chapter 14: Death Drives
Chapter 15: Of “Farther Uses of the Dead to the Living”
Hitchcock and Bentham
Chapter 16: Is there a Proper Way to Remake a Hitchcock Film?
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