Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Half Title
Title Page
Contents
List of Illustrations
List of Abbreviations
Acknowledgments
Introduction
1 Looking Back: The Political and Historical Context, 1945–70
2 “It says here”: Print Media and Social Movements in West Germany, 1967–72
Student Protest Movements and Mass Media (1967–68)
Student Protest Movements and Leftist Media
Conclusions
3 How Violence Comes about and to What It Can Lead: The RAF, Surveillance, and the German Autumn in Cinema, 1966–78
dffb Films of the Late 1960s: Protest Movements and Media Coverage
Bringing the War Home: The Return to the Domestic Landscape
Surveillance Mechanisms in The Lost Honor of Katharina Blum
Prison Conditions: Isolation Tracts, Hunger Strikes, and Stammheim (1972–77)
Repression, Fear, and Paranoia in Germany in Autumn
Conclusions
4 Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972–82
Labor Politics: Rainer Werner Fassbinder’s Mother Küsters Goes to Heaven
Feminism: Margarethe von Trotta’s Das zweite Erwachen Christa Klages
Feminism and Terrorism in Margarethe von Trotta’s Marianne and Juliane
Ghosts: Christian Petzold’s The State I Am In
Conclusions
5 Terrorism and the Cold War: The RAF and East Germany’s Ministry of State Security, 1982–90
Schlöndorff’s The Legend of Rita: Reunifying East and West German History
Constructing Narratives— Viett’s Never Was I More Fearless
Conclusions
6 Terrorism and Memory: Gerhard Richter’s October 18, 1977 (1989) and the Kunst-Werke Exhibit (2005)
Gerhard Richter’s October 18, 1977— Mass Media Revisited
Imaging Terror: The Debate around the 2005 Kunst-Werke Exhibit
Epilogue: Critique of Violence: The Politics of Solidarity
Works Cited
Index
Copyright Page
← Prev
Back
Next →
← Prev
Back
Next →