(Palgrave Studies in Animals and Literature) Wendy Woodward, Susan McHugh (eds.) by Indigenous Creatures, Native Knowledges -- Read -- Imperial Library of Trantor

Index

Acknowledgements Contents About the Editors List of Figures Chapter 1 Introduction

Works Cited

Part I Reimagining Animal Myths: Art, Stories, and Poetry of Bushmen Chapter 2 Qing and the Animals of the Drakensberg-Maloti

Introduction Grant and Orpen Qing and Rock Painting Qing’s Animal Stories Relationship with the /Xam Materials Conclusion Works Cited

Chapter 3 Kabbo Sings the Animals

What Is Alan James Doing? Who Are We Talking About? Animism, Animals and Alterity Poems as Experience Works cited

Chapter 4 Interrogating the Sacred Art of Vetkat Regopstaan Boesman Kruiper

Introduction Background Critique of the Sacred David Lewis-Williams’s Shamanistic Theory Vetkat’s Art as Departure from Tradition Conclusion Works Cited

Dark Haecceities: Deleuzoguattarian and Afrofuturist Science Fiction Mapping the Ectoplasmic, Treacherous and Fantastical Asha Zero: Shattering Assumptions of Origins and Boundary Mer Roberts: Crafting Vehicles of Experimental Becoming Ingrid Winterbach: Arche-Fossils and Fever Dreams Conclusion Works Cited

Works Cited

Chapter 8 Animated Animals: Allegories of Transformation in Khumba

I II III Works Cited

Chapter 9 Magic Wells, the Stream and the Flow: The Promise of Literary Animal Studies

Works Cited

Works Cited

Chapter 11 I’m Mad You’re Mad We Are All Mad: The Alice Diaries

Works Cited

Conclusion Works Cited

Why Honeybees?

Propping Personhood

Swarming Girls Becoming Swarm Swarming Futures Works Cited

Index