Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Table of Contents
Introduction
About This Book
Foolish Assumptions
Icons Used in This Book
Beyond the Book
Where to Go from Here
Part I: Getting Started with Classical Music
Chapter 1: Prying Open the Classical Music Oyster
Discovering What Classical Music Really Is
Figuring Out Whether You Like It
The Seven Habits of Highly Effective Composers
Chapter 2: The Entire History of Music in 80 Pages
Understanding How Classical Music Got Started
Chanting All Day: The Middle Ages
Born Again: The Renaissance
Getting Emotional: The Baroque Era
Tightening the Corset: The Classical Style
Falling in Love: Hopeless Romantics
Saluting the Flag(s): Nationalism in Classical Music
Listening to Music of the 20th Century and Beyond
Chapter 3: Knowing How to Spot a Sonata
Symphonies
Sonatas and Sonatinas
Concertos
Dances and Suites
Serenades and Divertimentos
Themes and Variations
Fantasias and Rhapsodies
Tone Poems (Or Symphonic Poems)
Lieder (And Follower)
Oratorios and Other Choral Works
Operas, Operettas, and Arias
Overtures and Preludes
Ballets and Ballerinas
String Quartets and Other Motley Assortments
Why Do You Need a Form, Anyway?
Part II: Listen Up!
Chapter 4: Dave ’n’ Scott’s E-Z Concert Survival Guide™
Preparing — or Not
Knowing When to Arrive at the Concert
Can I Wear a Loincloth to The Rite of Spring?
The Gourmet Guide to Pre-Concert Dining
Figuring Out Where to Sit — and How to Get the Best Ticket Deals
To Clap or Not to Clap: That Is the Question
Who to Bring and Who to Leave at Home with the Dog
Recognizing Which Concerts to Attend — or Avoid — on a Date
Peeking at the Concert Program
Introducing the Concertmaster
Enter the Conductor
Chapter 5: For Your Listening Pleasure
1 Handel: Water Music Suite No. 2: Alla Hornpipe
2 Bach: Well-Tempered Clavier, Book 2: Prelude and Fugue in C Major
3 Mozart: Piano Concerto No. 22 in E-Flat, Third Movement
4 Beethoven: Symphony No. 5, First Movement
5 Brahms: Symphony No. 4, Third Movement
6 Dvořák: Serenade for Strings, Fourth Movement
7 Tchaikovsky: Symphony No. 6, Fourth Movement
8 Debussy: La Mer: Dialogue du Vent et de la Mer
9 Stravinsky: The Rite of Spring: Opening to the End of Jeu de Rapt
Intermission: Taking a Backstage Tour
Living in the Orchestral Fishpond
What I Did for Love
Going through an Audition
The Life of an Orchestra Musician, or What’s Going on in the Practice Room?
Selling the Product
Understanding Contract Riders
Eyeing the Strange and Perilous Relationship between an Orchestra and Its Conductor
Why an Orchestra Career Is Worth the Grief
Part III: A Field Guide to the Orchestra
Chapter 6: Keyboards & Co.
The Piano
The Harpsichord
The Organ
The Synthesizer
Chapter 7: Strings Attached
The Violin
The Other String Instruments
Chapter 8: Gone with the Woodwinds
The Flute
The Piccolo
The Oboe
The English Horn
The Clarinet
The Saxophone
The Bassoon
Chapter 9: The Top (and Bottom) Brass
Making a Sound on a Brass Instrument
The French Horn
The Trumpet
The Trombone
The Tuba
Pet Peeves of the Brassily Inclined
Chapter 10: Percussion’s Greatest Hits
The Timpani
The Bass Drum
The Cymbals
The Snare Drum
The Xylophone
Other Xylo-like Instruments
More Neat Instruments Worth Banging
Part IV: Peeking into the Composer’s Brain
Chapter 11: The Dreaded Music Theory Chapter
I’ve Got Rhythm: The Engine of Music
Understanding Pitch: Beethoven at 5,000 rpm
Making the Leap into Intervals
Getting on the Scale
Constructing a Melody
Getting Two-Dimensional: Piece and Harmony
Put in Blender, Mix Well
Getting Your Music Theory Degree
Chapter 12: Once More, with Feeling: Tempo, Dynamics, and Orchestration
Meet the Dynamics Duo: Soft and Loud
Throwing Tempo Tantrums
Telling ’Bones from Heckelphones: Orchestration Made Easy
Part V: The Part of Tens
Chapter 13: The Ten Most Common Misconceptions about Classical Music
Classical Music Is Boring
Classical Music Is for Snobs
All Modern Concert Music Is Hard to Listen to
They Don’t Write Classical Music Anymore
You Have to Dress Up to Go to the Symphony
If You Haven’t Heard of the Guest Artist, She Can’t Be Any Good
Professional Musicians Have It Easy
The Best Seats Are Down Front
Clapping between Movements Is Illegal, Immoral, and Fattening
Classical Music Can’t Change Your Life
Chapter 14: The Ten Best Musical Terms for Cocktail Parties
Atonal
Cadenza
Concerto
Counterpoint
Crescendo
Exposition
Intonation
Orchestration
Repertoire
Rubato
Tempo
Using Your New-Found Mastery
Chapter 15: Ten Great Classical Music Jokes
Master of Them All
The Heavenly Philharmonic
Brass Dates
The Late Maestro
Basses Take a Breather
Houseless Violist
Ludwig’s Grave
The Weeping Violist
Musicians’ Revenge
One Last Viola Joke
Chapter 16: Ten Ways to Get More Music in Your Life
Get Involved with Your Orchestra
Join a Classical Music Tour
Meet the Artists — Be a Groupie
Load Up on Free or Cheapo Recordings
Make Music Friends on the Internet
Join an Unlimited Music Service
Listen to Your Local Classical Station
Watch Classical Music Movies
Study Up on the Classics
Make Your Own Music
Part VI: The Appendixes
Appendix A: Starting a Classical Music Collection
List 1: Old Favorites
List 2: MILD on the Taste Meter
List 3: MEDIUM on the Taste Meter
List 4: MEDIUM HOT on the Taste Meter
List 5: HOT on the Taste Meter
Appendix B: Classical Music Timeline
Appendix C: Glossary
About the Author
Cheat Sheet
Advertisement Page
Connect with Dummies
End User License Agreement
← Prev
Back
Next →
← Prev
Back
Next →