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Index
Cover Page
Title Page
Copyright
[ ABOUT THE AUTHOR ]
[ DEDICATION ]
[ ACKNOWLEDGMENTS ]
Contents
introduction
[ RELEASING THE VOICE WITHIN — THE PURPOSE OF DIALOGUE ]
[ MUTE CHARACTERS AND STORIES — ABOLISHING YOUR FEARS ]
[ THE GENRE, MAINSTREAM, AND LITERARY STORY — THE DIALOGUE MATTERS ]
[ WHEELS OF MOTION — DIALOGUE THAT PROPELS THE STORY FORWARD ]
[ NARRATIVE, DIALOGUE, AND ACTION — LEARNING TO WEAVE THE SPOKEN WORD ]
[ IN THEIR OWN WORDS — DELIVERING THE CHARACTERS AND THEIR MOTIVATIONS TO THE READER ]
[ THERE IS A PLACE — USING DIALOGUE TO REVEAL STORY SETTING AND BACKGROUND ]
[ BRAKES OR ACCELERATOR — DIALOGUE AS A MEANS OF PACING ]
[ TIGHTENING THE TENSION AND SUSPENSE — DIALOGUE THAT INTENSIFIES THE CONFLICT ]
[ IT WAS A DARK AND STORMY NIGHT — USING DIALOGUE TO SET THE MOOD AND FACILITATE THE EMOTION ]
[ THE UHS, ANDS, AND ERS — SOME HOW-TOS OF DIALOGUE QUIRKS ]
[ WHOOPS! DIALOGUE THAT DOESN'T DELIVER — THE MOST COMMON MISTAKES ]
[ PUNCTUATION AND LAST MINUTE CONSIDERATIONS — TYING UP THE LOOSE ENDS ]
[ DIALOGUE DOS AND DON'TS — SOME PRACTICAL TIPS ]
[ CONNECTING WITH READERS — YOU CAN MAKE A DIFFERENCE ]
appendix [CHECKLIST]
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