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Index
Cover
Half Title
Title Page
Copyright
Dedication
Contents
Illustrations
Notes on contributors
Notes on contributions
General editors’ preface
Acknowledgements
Note on transliteration and translation
Introduction: Entering the film factory
1. Early Russian cinema: some observations
2. Kuleshov’s experiments and the new anthropology of the actor
3. Intolerance and the Soviets: a historical investigation
4. The origins of Soviet cinema: a study in industry development
5. Down to earth: Aelita relocated
6. The return of the native: Yakov Protazanov and Soviet cinema
7. A face to the shtetl: Soviet Yiddish cinema, 1924–36
8. A fickle man, or portrait of Boris Barnet as a Soviet director
9. Interview with Alexander Medvedkin
10. Making sense of early Soviet sound
11. Ideology as mass entertainment: Boris Shumyatsky and Soviet cinema in the 1930s
Notes
Index
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