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Index
Title Page Copyright Page Acknowledgments Introduction Part I Japanese Cinema in Search of a Discipline
Humanism and Essentialism in the Postwar Era A Theoretical Turn? Cross-Cultural Analysis and Identity Politics Japanese Cinema and the Institutionalization of Film Studies Anxiety of Japanese Studies Area Studies in Disguise Conclusions
Part II The Films of Kurosawa Akira
1. Kurosawa Criticism and the Name of the Author
Why Kurosawa? Auteurism Revisited The Autobiographical Pact
2. Sanshiro Sugata
Action Film Zen and Samurai Values Unnatural Nature
3. The Most Beautiful
War/Propaganda/Japanese Cinema Ambiguous Collaboration
4. Sanshiro Sugata, Part 2 5. The Men Who Tread on the Tiger’s Tail
Kabuki/Noh/Film Kabuki and the Construction of a Modern Nation Japan as a Conflicting Image
6. No Regrets for Our Youth
The Rhetoric of Politics and the Politics of Film Conversion/War Responsibility/Japanese Cinema Shutaisei/Victim Consciousness/Conversion Narrative
7. One Wonderful Sunday 8. Drunken Angel 9. The Quiet Duel 10. Stray Dog
Speech/Writing/Image The Madness of Rhetoric The Rhetoric of Visuality Name and Textuality Fetishism as Intervention The Dialectic of Memory
11. Scandal 12. Rashomon
Audiovisual Abstraction Narration in Film
13. The Idiot 14. Ikiru
Point of View and Subjectivity Confession Identification Death and Narrative Closure, or the Modality of Not Yet
15. Seven Samurai
Japanese Cinema and the Genre System What Is Jidaigeki? Jidaigeki and the Occupation Jidaigeki in the 1950s Western and Jidaigeki Kurosawa and Reinvention of Jidaigeki
16. Record of a Living Being 17. Throne of Blood
The Search for Japaneseness The Discourse of Adaptation and Cultural Capital Specificity of Form and Mode of Production
18. The Lower Depths 19. The Hidden Fortress 20. The Bad Sleep Well
Political Corruption and Theatrical Performance Duplicitous Identity and Deadly Knowledge Memory and Repetition
21. Yojimbo 22. Sanjuro 23. High and Low
Form and Content Self and Double The Anxiety of Urban Space Space and Cinema Subject, Space, and Nation Nation and Sentiment
24. Red Beard 25. Dodeskaden
The End of an Era Art/Imagination/Life
26. Dersu Uzala 27. Kagemusha 28. Ran 29. Dreams 30. Rhapsody in August 31. Madadayo
Epilogue Notes Filmography Bibliography Index
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