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Index
Title Page
Copyright Page
Acknowledgments
Introduction
Part I Japanese Cinema in Search of a Discipline
Humanism and Essentialism in the Postwar Era
A Theoretical Turn?
Cross-Cultural Analysis and Identity Politics
Japanese Cinema and the Institutionalization of Film Studies
Anxiety of Japanese Studies
Area Studies in Disguise
Conclusions
Part II The Films of Kurosawa Akira
1. Kurosawa Criticism and the Name of the Author
Why Kurosawa?
Auteurism Revisited
The Autobiographical Pact
2. Sanshiro Sugata
Action Film
Zen and Samurai Values
Unnatural Nature
3. The Most Beautiful
War/Propaganda/Japanese Cinema
Ambiguous Collaboration
4. Sanshiro Sugata, Part 2
5. The Men Who Tread on the Tiger’s Tail
Kabuki/Noh/Film
Kabuki and the Construction of a Modern Nation
Japan as a Conflicting Image
6. No Regrets for Our Youth
The Rhetoric of Politics and the Politics of Film
Conversion/War Responsibility/Japanese Cinema
Shutaisei/Victim Consciousness/Conversion Narrative
7. One Wonderful Sunday
8. Drunken Angel
9. The Quiet Duel
10. Stray Dog
Speech/Writing/Image
The Madness of Rhetoric
The Rhetoric of Visuality
Name and Textuality
Fetishism as Intervention
The Dialectic of Memory
11. Scandal
12. Rashomon
Audiovisual Abstraction
Narration in Film
13. The Idiot
14. Ikiru
Point of View and Subjectivity
Confession
Identification
Death and Narrative Closure, or the Modality of Not Yet
15. Seven Samurai
Japanese Cinema and the Genre System
What Is Jidaigeki?
Jidaigeki and the Occupation
Jidaigeki in the 1950s
Western and Jidaigeki
Kurosawa and Reinvention of Jidaigeki
16. Record of a Living Being
17. Throne of Blood
The Search for Japaneseness
The Discourse of Adaptation and Cultural Capital
Specificity of Form and Mode of Production
18. The Lower Depths
19. The Hidden Fortress
20. The Bad Sleep Well
Political Corruption and Theatrical Performance
Duplicitous Identity and Deadly Knowledge
Memory and Repetition
21. Yojimbo
22. Sanjuro
23. High and Low
Form and Content
Self and Double
The Anxiety of Urban Space
Space and Cinema
Subject, Space, and Nation
Nation and Sentiment
24. Red Beard
25. Dodeskaden
The End of an Era
Art/Imagination/Life
26. Dersu Uzala
27. Kagemusha
28. Ran
29. Dreams
30. Rhapsody in August
31. Madadayo
Epilogue
Notes
Filmography
Bibliography
Index
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