Derrida and Deconstruction by Silverman, Hugh J. -- Read -- Imperial Library of Trantor

Index

Cover Page Title Page Copyright Page Introduction Chapter 1: Plato’S Pharmakon: Between Two Repetitions

I Writing on Derrida II The Derivative Status of Writing III Patriarchal Writing and Patricide IV The Double Reading/Writing

Chapter 2: Mysticism and Transgression: Derrida and Meister Eckhart

Chapter 3: Derrida and Descartes: Economizing Thought

I II

Chapter 4: Derrida, Kant, and The Performance of Parergonality

I Introduction: The Ornaments (Parerga) of the Third Critique II Derrida’s Strategies III From Examples to Exemplars IV Parergonality as Exemplarity

Chapter 5: Hegel, Derrida, and The Sign

I II III

Chapter 6: Drawing: (An) Affecting Nietzsche: With Derrida

I Affecting a Self II The Return of the Passage III Nietzsche(’s) Self Drawn IV Case Suspended: The Survival of the Signature

Chapter 7: ‘ÇA Cloche’

I Man: Anthropos or Aner? II The Ends of Freud III ‘My Excitement is the Oscillation’—for a Generalized Fetishism: Derrida IV The double erection V From ‘The Question of Style’ to Stilitano’s style: m’ec writing Debate

Chapter 8: On Derrida’S ‘Introduction’ To Husserl’s Origin of Geometry Chapter 9: Derrida, Heidegger, and the Time of the Line

I Heidegger II Derrida III The Between Line

Chapter 10: Derrida and Sartre: Hegel’s Death Knell Chapter 11: Derrida, Levinas, and Violence

I From Anonymous Being to Warring Totality II The Violence of Economy and Polity III The Face and Violence IV Derrida, Writing and the Same V ‘The Rotten Sun’ VI The Language of Peace

Chapter 12: Derrida and Foucault: Madness and Writing Notes

Bibliography

I Texts by Jacques Derrida II Selected Bibliography on Derrida and Deconstruction

Notes on Contributors