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Index
Cover
Title
Epigraph
Contents
Preface
Prologue: Nothing Comes from Nothing
1. Inventing America: Jerome Kern’s “Can’t Help Lovin’ Dat Man”
2. The New Sexual Morality: Cole Porter’s “Let’s Do It”
3. Airbrushing the Depression: George Gershwin’s “I Got Rhythm”
4. Segregation and Opportunity in Harlem: Harold Arlen’s “Stormy Weather”
5. Appropriation or Inspiration?: George Gershwin’s “Summertime”
6. Immigration and the American Voice: Irving Berlin’s “Cheek to Cheek”
7. How the Other Half Lived: Cole Porter’s “Begin the Beguine”
8. Love in New York: Richard Rodgers’s “I Wish I Were in Love Again”
9. The Impact of Recorded Sound: Jerome Kern’s “All the Things You Are”
10. America Goes to the Movies: Harold Arlen’s “Over the Rainbow”
11. World War II and the Integrated Musical: Richard Rodgers’s “If I Loved You”
12. America Gets a Classical Voice: Leonard Bernstein’s “I Can Cook Too”
13. Will the Real Annie Oakley Please Stand Up?: Irving Berlin’s “I Got the Sun in the Morning”
14. Fantasy in New York: Leonard Bernstein’s “Tonight”
15. Rock and Roll, Broadway, and the Me Decade: Stephen Sondheim’s “Send in the Clowns”
16. New Directions On and Off Broadway: Stephen Sondheim’s “Finishing the Hat”
Epilogue: The Broadway Musical Goes Global
Acknowledgments
Notes
Credits
Index
Copyright
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