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Index
Title Page
Copyright Page
Dedication Page
Contents
Acknowledgments
Preface
Two Styles of Imagining
Introduction
How to Read This Book
Why Read This Book?
A Crisis in “How to” Film Books?
The Model
Part 1: Staging the Moment
Identifying the Transformational Moment
What the Spectator Brings to the Moment
What the Transformational Moment Connects With
Looking for Vincent Ward
The Perkins Cobb Theory
Auteurs and Coppola's Prediction
What Filmmaking Is – From Movement to Knowability
Staging Rooms
Staging the Gaze
Transforming the Gaze
Staging the “Elsewhen”?
The Vogler Memo
Stories and Loglines
Exercise #1
Part 2: Composing the Moment
The Meta-Compositional Moment Ill
The “Universal Human Being”
Summary #1
Exercise #2
Narrative and the Moment
The Transformation Rule in Narrative
Light, Color, Music and the Moment
The Dream Work of Character (or the Sheets of Time)
Exercise #3
Part 3: What it is Like
Exercise #4
The Manifest and the Latent
Conclusion
Summary #2
Afterword: A Conversation
Filmography
Bibliography
About the Author and Illustrator
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