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Index
Series Editor’s Introduction
Acknowledgements
Introduction
Introduction
Introduction
Introduction
Part I All the Pretty Horses (1991)
Chapter 1 “This is another country”: The Complex Feminine Presence in All the Pretty Horses
Chapter 2 Hang and Rattle: John Grady Cole’s Horsebreaking in Typescript, Novel, and Film
Chapter 3 McCarthy’s Multitude(s): All the Pretty Horses and Los Hombres del País
Part II No Country for Old Men (2005)
Chapter 4 “Mercantile Ethics”: No Country for Old Men and the Narcocorrido
Chapter 5 “Do you see?”: Levels of Ellipsis in No Country for Old Men
Chapter 6 Evil, Mood, and Reflection in the Coen Brothers’ No Country for Old Men
Part III The Road (2006)
Chapter 7 “Everything uncoupled from its shoring”: Quandaries of Epistemology and Ethics in The Road
Chapter 8 “Barren, silent, godless”: Ecodisaster and the Post-abundant Landscape in The Road
Chapter 9 “He ought not have done it”: McCarthy and Apocalypse
Notes
Works Cited
Further Reading
Notes on Contributors
Index
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