[Gutenberg 40924] • The Invention of Lithography by Senefelder, Alois -- Read -- Imperial Library of Trantor

Index

THE INVENTION OF LITHOGRAPHY TRANSLATOR'S PREFACE PREFACE SECTION I HISTORY OF STONE-PRINTING PART I FROM 1796 TO 1800 PART II FROM 1800 TO 1806 PART III FROM 1806 TO 1817 SECTION II TEXT-BOOK OF PRINTING FROM THE STONE INTRODUCTION PART I GENERAL PROVISIONS CHAPTER I OF THE STONES

I II POLISHING III SORTING AND STORING

CHAPTER II OF INK, CRAYON, ETCHING, AND COLOR

I CHEMICAL INK

MAKING THE CHEMICAL INK

II HARD BORAX INK III FLUID INK IV TRANSFER INK V HARD ETCHING GROUND VI SOFT ETCHING GROUND VII ACID PROOF INK VIII CRAYON IX CONCERNING COLOR FOR PRINTING X RUBBING-UP INK

CHAPTER III CONCERNING ACIDS AND OTHER MATERIALS

I GENERAL PROPERTIES OF ACIDS II THE ACIDS SPECIFICALLY III GUM AS THE REAL PREPARATION IV CONCERNING PARTIAL PREPARATION V SHORT REVIEW OF THE PRECEDING

CHAPTER IV THE NECESSARY TOOLS AND APPLIANCES

I CONCERNING STEEL PENS II CONCERNING BRUSHES III CONCERNING ENGRAVING NEEDLES IV CONCERNING THE DRAWING-MACHINE V CONCERNING OTHER APPLIANCES

CHAPTER V CONCERNING PAPER

I TRANSPARENT PAPER, AND THE TRANSFER OF OUTLINES TO THE STONE II WASTE PAPER III PRINTING-PAPER IV DAMPENING THE PAPER

CHAPTER VI PRESSES

I PROPERTIES OF A GOOD PRESS II APPLICATION OF BOOK- AND COPPER-PLATE PRESSES TO LITHOGRAPHY III LITHOGRAPHIC PRESSES USED HITHERTO IV THE LEVER PRESS V THE CYLINDER PRESSES VI GYRATING SCRAPER AND DOUBLE LEVER PRESSES VII THE OTHER STONE PRINTING-PRESSES

PART II CONCERNING THE VARIOUS METHODS CHAPTER I RELIEF METHOD

I BRUSH AND PEN WORK II THE CRAYON METHOD III TRANSFER AND TRACING IV CONCERNING THE WOOD-CUT STYLE V TWO KINDS OF TOUCHE DRAWING VI THE SPATTER METHOD VII TOUCHE WITH SEVERAL PLATES VIII COLOR-PRINTING WITH MANY PLATES IX GOLD AND SILVER PRINTING

CHAPTER II INTAGLIO METHOD

I THE LINE ENGRAVED STYLE II THE ETCHED METHOD III DESIGN WITH PREPARING INK, COMBINED WITH SPATTERED AQUATINT IV AQUATINT IN COPPER-PLATE STYLES AND WITH ETCHING-GROUND V AQUATINT THROUGH CRAYON GROUND VI INTAGLIO CRAYON AND TRACED DESIGNS VII TOUCHE DRAWING WITH ETCHING INK

CHAPTER III MIXED METHODS

I PEN DESIGN COMBINED WITH ENGRAVING II INTAGLIO DESIGN WITH RELIEF TINT III INTAGLIO AND RELIEF WITH SEVERAL PLATES IV TRANSFORMING RELIEF INTO INTAGLIO AND VICE VERSA

APPENDIX

I PRINTING WITH WATER AND OIL COLORS SIMULTANEOUSLY II SIMULTANEOUS CHEMICAL AND MECHANICAL PRINTING

EXAMPLE

III USE OF THE STONE FOR COTTON-PRINTING THROUGH WIPING. A UNIQUE PRINTING PROCESS IV COLOR PRINT WITH WIPING V OIL-PAINTING PRINT THROUGH TRANSFER VI STONE-PAPER VII CHEMICAL PRINT ON METAL PLATES