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Index
Coverpage Half title page The Cambridge Companion to European Novelists Title page Copyright page Contents Notes on contributors Note on references Introduction: The novel in Europe 1600–1900 1 Miguel de Cervantes (1547–1616): Don Quixote: romance and picaresque 2 Daniel Defoe (1660–1731): Journalism, myth and verisimilitude 3 Samuel Richardson (1689–1761): The epistolary novel 4 Henry Fielding (1707–1754): The comic epic in prose 5 Jean-Jacques Rousseau (1712–1778): The novel of sensibility 6 Laurence Sterne (1713–1768): The fiction of sentiment 7 Johann Wolfgang von Goethe (1749–1832): The German Bildungsroman 8 Walter Scott (1771–1832): The historical novel 9 Stendhal (1783–1842): Romantic irony 10 Mary Shelley (1797–1851): The Gothic novel 11 Honoré de Balzac (1799–1850): ‘Realism’ and authority 12 Charles Dickens (1812–1870): Englishman and European 13 George Eliot (1819–1880): Reality and sympathy 14 Gustave Flaubert (1821–1880): Realism and aestheticism 15 Fyodor Dostoevsky (1821–1881): ‘Fantastic realism’ 16 Leo Tolstoy (1828–1910): Art and truth 17 Émile Zola (1840–1902): Naturalism 18 Henry James (1843–1916): Henry James's Europe 19 Marcel Proust (1871–1922): A modernist novel of time 20 Thomas Mann (1875–1955): Modernism and ideas 21 James Joyce (1882–1941): Modernism and language 22 Virginia Woolf (1882–1941): Re-forming the novel 23 Samuel Beckett (1906–1989): Language, narrative, authority 24 Milan Kundera (1929–): The idea of the novel Conclusion: The European novel after 1900 Further reading Index
Authors Edward Albee edited by Topics The Actress edited by
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